silentauroriamthereal:

nofreedomlove:

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“Image Credit: Carol Rossetti

When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 

Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 

"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities,” Rossetti told Mic via email. “It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be.”

Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 

“I see those situations I portray every day,” she wrote. “I lived some of them myself.”

Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!“ or ”Mujeres en español!“ which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.

One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.

It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.

"I can’t change the world by myself,” Rossetti said. “But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another.”

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.

Oooh. I reblogged a partial version of this recently but I didn’t know how many more there were! I LOVE these!

actuallyclintbarton:

baskauskas:

oh my god this guy messaged me on okcupid and he has a “don’t message me if” section and 

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jesus christ

Holy shitbears! I think he just excluded 99.9% of his potential dating pool, and the other .01% is probably gonna think he’s a controlling pretentious douche.

Jegus.

Okay, controlling or not, you guys are all missing one very glaring point here in the FLOOD of extraneous detail. You only need one dot point here to run away from this guy FAST.

– you think a person who has forceful paedophilic thoughts is evil, rather than ill

– you think a person who has forceful paedophilic thoughts is evil, rather than ill

‘Paederast apologist’ ranks pretty highly on the ‘do not want’ list, in my book.

You want to say Hi to the cute girl on the subway. How will she react? Fortunately, I can tell you with some certainty, because she’s already sending messages to you. Looking out the window, reading a book, working on a computer, arms folded across chest, body away from you = do not disturb. So, y’know, don’t disturb her. Really. Even to say that you like her hair, shoes, or book. A compliment is not always a reason for women to smile and say thank you. You are a threat, remember? You are Schrödinger’s Rapist. Don’t assume that whatever you have to say will win her over with charm or flattery. Believe what she’s signaling, and back off.

If you speak, and she responds in a monosyllabic way without looking at you, she’s saying, “I don’t want to be rude, but please leave me alone.” You don’t know why. It could be “Please leave me alone because I am trying to memorize Beowulf.” It could be “Please leave me alone because you are a scary, scary man with breath like a water buffalo.” It could be “Please leave me alone because I am planning my assassination of a major geopolitical figure and I will have to kill you if you are able to recognize me and blow my cover.”

On the other hand, if she is turned towards you, making eye contact, and she responds in a friendly and talkative manner when you speak to her, you are getting a green light. You can continue the conversation until you start getting signals to back off.

The fourth point: If you fail to respect what women say, you label yourself a problem.

There’s a man with whom I went out on a single date—afternoon coffee, for one hour by the clock—on July 25th. In the two days after the date, he sent me about fifteen e-mails, scolding me for non-responsiveness. I e-mailed him back, saying, “Look, this is a disproportionate response to a single date. You are making me uncomfortable. Do not contact me again.” It is now October 7th. Does he still e-mail?

Yeah. He does. About every two weeks.

This man scores higher on the threat level scale than Man with the Cockroach Tattoos. (Who, after all, is guilty of nothing more than terrifying bad taste.) You see, Mr. E-mail has made it clear that he ignores what I say when he wants something from me. Now, I don’t know if he is an actual rapist, and I sincerely hope he’s not. But he is certainly Schrödinger’s Rapist, and this particular Schrödinger’s Rapist has a probability ratio greater than one in sixty. Because a man who ignores a woman’s NO in a non-sexual setting is more likely to ignore NO in a sexual setting, as well.

So if you speak to a woman who is otherwise occupied, you’re sending a subtle message. It is that your desire to interact trumps her right to be left alone. If you pursue a conversation when she’s tried to cut it off, you send a message. It is that your desire to speak trumps her right to be left alone. And each of those messages indicates that you believe your desires are a legitimate reason to override her rights.

For women, who are watching you very closely to determine how much of a threat you are, this is an important piece of data.

an excerpt from Phaedra Starling’s “Schrödinger’s Rapist: or a guy’s guide to approaching strange women without being maced” (via lostgrrrls)

HOLY FUCK THE TRUTH.

Can every one of my male followers read this? And please, before you get defensive (“I would never rape anyone!”) keep in mind, women being afraid of Shrodinger’s Rapists (oh my god i still can’t get over the encompassing brilliance of this phrase) is a conditioned, learned response from being immersed in rape culture and the evolution of sexism and sexual violence in our society from the day we’re born. And unfortunately, it’s very difficult to unlearn without the efforts of all genders to dismantle it. Which is where you come in.

(via lil-ith)

It’s also just rude and disrespectful to patently ignore what someone has told you regarding their personal space, body, and time. Get a clue.

(via geekdomme)

I will always reblog this. Always.

(via myherocomplex)

So if you speak to a woman who is otherwise occupied, you’re sending a subtle message. It is that your desire to interact trumps her right to be left alone.

(via alamaris)

Oh my lord, everything in this.

(via littlelull)

Hey, can you explain what Remender did that was so terrible? Because I see a lot of posts talking about how he did something horrible, but I can’t find what it actually is. Thanks!

scifigrl47:

1.  He killed Rogue and Scarlet Witch on his way out the door on Uncanny Avengers.  (Two female characters who feature heavily in just released/upcoming movies)

2. He fridged Sharon Carter for Steve Rogers’ manpain. (ANOTHER female character who features in a current movie, wow what are the CHANCES he’d find another one to kill?)

3. He just wrote a story that features a sex scene that a lot of people (especially females and POC, two groups that often feel that their concerns are not taken seriously by comics culture) are finding to be very problematic.  It involves alcohol, Sam Wilson (ANOTHER character that was just introduced in a major movie, WOW!) and a female character who may or may not be of age.  Although the narrative has established her to be an adult, the fact that Remender felt the need to clearly state her age in the middle of the sequence means that he was aware that most people did not take her to be an adult.  To put it another way, when Natasha Romanov has a morning after, it does not involve her saying, “I’m thirty-six.”  She doesn’t need to.  Everyone KNOWS she is an adult.  The fact that the character’s age must be stated indicates that the writer and the editorial staff KNEW it would be an issue, and they moved forward with it anyway.

4.  He wrote a speech where a (white, cis, het male who could pass for a non-mutant) character states that he does not approve of the “M-word,” or Mutant, that he considers it divisive.  IT IS BAD TO HAVE SUCH LABELS WE SHOULD DO AWAY WITH THEM.   This kind of speech, written and spoken from a position of privilege, does not feel like inclusion.  It feels like erasure.  Having a pretty blonde white boy dismissing the very real problems of people who CANNOT hide their minority identity, dismissing the way they define themselves, because he doesn’t like that word, but doesn’t offer an alternative, smacks of the worst kind of white male privilege, and it sticks in the craw.

4. I do not appreciate his writing aesthetic.  I do not appreciate how he treats female characters.  I do not approve of the choices he makes.  I do not appreciate how he handles his interviews or how he treats fandom.  I do not appreciate the fact that every time I get an ask saying, “I’m new to comics, but I love the movies, can you recommend a comic?” I cannot, in good conscience recommend Captain America.  I will not, especially to a new, female reader who loves the Cap she’s seen on the screen.  Because Remender does not write that Cap.

5.  He is a hack.  I’ve seen more compelling plots and character development from the average AO3 fic.  

I don’t like him.  I’d be happy to see him driven from comics.  I’d be happy to have Cap in better hands.  I will not buy anything else with his name on it.  I have let Marvel know as much, and I continue to support comics with creators who, in my opinion, treat their characters and their fanbase with more respect.

We Need All Voices in Comics (or, I Started the #FireRickRemender Twitter Tag and I’m Really Only Kind of Sorry About It)

weinersoldier:

I’d like to clear the air.

The past 96 hours have been some of the most stressful, anxious, and rewarding of my life.

Wednesday evening, following my first read of Rick Remender’s Captain America #22, I posted a series of entries to my blog reiterating my distaste for his work, and my renewed (and long-held) belief that he should no longer be writing it.

In my haste and anger, I asked other people who shared my opinion to tweet Marvel Comics, Rick Remender, and Captain America editor Tom Brevoort with their concerns, using the hashtag #FireRickRemender.

And I’m sorry.

I understand that the hashtag, and the arguments held under its banner, could have been (and were) seen as personal attacks. And for that, I apologize. I was coming from a place of upset, discomfort, disgust, and outrage, and I acted solely from that place.

I am genuinely sorry for any personal affront my actions may have caused.

What I am not sorry for is everything that came afterward.

Read More

jabberwockypie:

weinersoldier:

weinersoldier:

so far (since wednesday, meaning the beginning of the #firerickremender push on twitter):

I have been called a moron, a slut, an ugly bitch, a dumb cunt, a racist, and every other colorful, cruel, and sexist insult in the playbook.

I’ve been threatened with rape, been told to shut up, and been told explicitly that my opinion doesn’t matter.

I’ve been accused of trying to ruin someone’s life.

I’ve been infantilized, condescended to, pat on the head and told that my money doesn’t matter, that I was hysterical and irrational, that I was making too much out of nothing, that I was a prude.

I’ve had to answer the question “did you actually read the book?” more times than I can count, and every time the question’s asked with that cruel, invisible “sweetheart” at the end.

I’ve lost an incredible amount of respect for creators whose art and writing I enjoyed.

all because I had the audacity to raise my voice, to hold an opinion that differs from the norm.  because I refused to be silent about the worrying, ever-increasing acceptance of violence against and violation of women in the media I pay to consume.

but – I can’t stop now.  I won’t.  Comic books taught me – Steve Rogers taught me to never, ever give up on the things that are important to you.  I am standing by my truth, and I am not moving.

Sam Wilson taught me to take care of my own, and Sharon Carter taught me to never, ever, ever let anyone else make your decisions for you.

I’m not going away.  #firerickremender is not going away.

Not until comics is a safe space.  Not until comics is a escape for everyone, not just for people whose ideal world is one where women are subservient, sexy, and silent.  Not until I can carry on a conversation with a creator I admire and not be treated like I know nothing, and like my opinion doesn’t count.

I am not going away.

edited to add:

Been sent unsolicited pictures of stranger’s genitalia (i.e. dicks) by direct message on Twitter

Received more than one offer to “cure” me – i.e. “fix” the fact that I’m queer

Had my personal and identifying information – including name, age, location, and photograph – posted without my consent or knowledge as the butt of a post insinuating that I’m “hysterical” and that I have a “vendetta”

Tell me again that the glorification and excusing of rape in comics doesn’t feed rape culture in real life.

Tell me again that it’s “fiction”.

Tell me fucking again.

Oh my fucking god.

EVERYTHING IS AWFUL.

micdotcom:

Watch: ’The Daily Show’ absolutely nailed what it’s like to be a woman on campus today 

James Madison University joined the ever-growing list of U.S. colleges that have grossly mishandled sexual assault and rape cases last week when a young woman claimed that the school punished the three men who assaulted her by expelling them — after graduation.

Jon Stewart echoed the perplexed outrage of many on The Daily Show last night when he asked, “Wait a minute, ‘expelled upon graduation?’ Isn’t that… graduation? … What the fuck? … Clearly, universities are not making their campuses safe for women.”

Watch the full clip

wilwheaton:

wagatwe:

policymic:

Attention George Will, this is what #SurvivorPrivilege really looks like

Over at the Washington Post, a supremely out of touch article by conservative columnist George F. Will makes the infuriating claim that victims of sexual assault enjoy “a coveted status that confers privileges.” His logic suggests that because of a supposed liberal plot to bestow some sort of benefit on rape survivors “victims proliferate.”

Of all the tone-deaf rape-denying arguments we’ve heard, this one might take the cake.

Read more 

So honored my hashtag took off! It just started as a way to vent about how college rape has changed my life forever (and not in a good way).

Because you know who’s an authority on surviving rape? An old white guy.

Fuck you, George Will.

#SurvivorPrivilege – being abused for eight years of my childhood, being left with a lifetime of mental health issues, and when my abuser was sentenced, the court didn’t give him jail time because he agreed to go to counselling.