Ask me what kind of porn I’m into,
and I will take you on a magical journey to
fanfiction.com/harrypotter/nc17—

What turns me on
is Ginny Weasley in the Restricted Section with her skirt hiked up,
Sirius Black in a secret passageway
solemnly swearing he is up to no good,
and Draco Malfoy
in the Room of Requirement
Slytherin in to my Chamber of Secrets,

I am an unapologetic consumer of
all things Potterotica,
and the sexiest part
is not the way
Cho Chang rides that broomstick,
or the sound of Myrtle moaning,
the sexiest part
is knowing they are part of a bigger story,
that they exist beyond eight minutes in
“Titty Titty Gang Bang,”
that their kegels
are not the strongest thing about them,
and still,
I am told that my porn is unrealistic.

Not quite as erotic
as flashing ads that say “JUST TURNED 18!”
so you can fantasize about fucking
the youngest girl you won’t go to jail for;

I’m told that my porn isn’t quite as lifelike
as a room full of lesbians begging for cock,
told that this
is what is supposed to turn me on,

Don’t you give me raw meat
and tell me it is nourishment,
I know a slaughterhouse when I see one.

It looks like 24/7 live streaming
reminding me
that men are going to fuck me
whether I like it or not,
that there is one use for my mouth
and it is not speaking,
that a man is his most powerful
when he’s got a woman by the hair;

The first time a man I loved
held me by the wrists and called me a whore,
I did not think, “RUN.”
I thought, “This is just like the movies,”
I know a slaughterhouse when I see one.

It looks like websites and seminars
teaching you how to fuck more bitches;
Looks like 15-year-old boys
bullied for being virgins;
It looks like the man who did not flinch
when I said “Stop,”
and he heard, “try harder,”

If you play-act at butchery long enough
you grow used to
the sounds of the screaming.

It is just a side effect of industry;
Everything gets cut
into small, marketable pieces,
you can almost forget
they were ever real bodies.

I will not practice bloody hands.
I will not make-believe dissected women.
My sex cannot be packaged,
my sex is magic,
it is part of a bigger story;
I am whole.
I exist when you are not fucking me,
and I will not be cut into pieces
anymore.

silentauroriamthereal:

nofreedomlove:

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Source

“Image Credit: Carol Rossetti

When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 

Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 

"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities,” Rossetti told Mic via email. “It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be.”

Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 

“I see those situations I portray every day,” she wrote. “I lived some of them myself.”

Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!“ or ”Mujeres en español!“ which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.

One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.

It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.

"I can’t change the world by myself,” Rossetti said. “But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another.”

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.

Oooh. I reblogged a partial version of this recently but I didn’t know how many more there were! I LOVE these!