kath-ballantyne:

Art for (so come on) Put On Your Warpaint by IamShadow21  (fic not safe for work but the art is)

“All her life she has wanted to run and run and run, but only now does
she have the body to do it.”

Peggy Au where she gets the serum and having another Super Soldier along changes things. Explicit, Peggy/Steve and Peggy/Steve/Bucky

1st is Steve, Bucky and Peggy during the war and the 2nd is the three of them in Avengers timeline before the battle of New York. Coulson had some input in the costumes. Buck is not happy AT ALL.

I have been waiting for this one to go live for a while. I adore the fic and want so much more in this universe. Shadow very patiently waited for me to finish these artworks before posting. I have more I want to do but health and other deadlines are getting in the way so when I do get around to them they’ll be added to the series on AO3 and posted here.

My not-a-bang fic is live! I’ve been working on this one since January, and kath_ballantyne made me gorgeous art to go with it! If you like super soldier Peggy punching Hydra in the face and banging Steve like a barn door, this is the fic for you!

idrilka:

ALL PHOTOS ARE CURRENTLY PART OF THE SMITHSONIAN CAPTAIN AMERICA EXHIBIT.
1. Cpt. Steve Rogers and Agent Margaret “Peggy” Carter (Italy, November 1943).
2. Members of the Howling Commandos. From left to right: Cpl. Jacques “Frenchie” Dernier, Cpl. Timothy Alyosius “Dum Dum” Dugan, Lt. James Montgomery Falsworth, Sgt. James Buchanan “Bucky” Barnes (Poland, February 1944).
3. Cpt. Rogers and Sgt. Barnes return from the HYDRA labor camp (Italy, November 1943).
4. The Howling Commandos. From left to right: Pvt. James Morita, Cpl. Jacques “Frenchie” Dernier, Cpl. Timothy Alyosius “Dum Dum” Dugan, Lt. James Montgomery Falsworth, Sgt. James Buchanan “Bucky” Barnes, Pvt. Gabriel “Gabe” Jones (Italy, November 1943).
5. The Howling Commandos (Italy, November 1943).
6. Cpt. Steve Rogers and Sgt. James Buchanan “Bucky” Barnes (Italy, November 1943).

[part i]

In the world of superheroes, because it’s such a melodramatic world with operatic undertones to it, most of the best ones have some sort of tragedy, deformity, or disability that is meant to add depth and poignancy to their heroism, whether that’s Bruce Wayne sobbing over his parents’ bodies or Bruce Banner forced to live a life of emotional repression in order to keep his dark side at bay. You could argue that Peggy’s cross to bear is Steve’s death, but we’d argue right back that she’s mourning him in a more or less normal, human way and her grief seems to be following a healthy evolution. No vows to dress like a flying rat over his grave or anything. She’s just taken what she’s learned from him and letting his memory inspire her. No, her cross is even more basic than that. In order to protect her mission from her co-workers, Peggy has to become the bumbling, ineffective Clark Kent/Peter Parker type, hiding her victories and strength from the very people she so desperately wants to notice them. And because this show is using the patriarchal and chauvinistic attitudes of the day as a backdrop for this story, Peggy’s sacrifice becomes all that much more poignant. She has to pretend to be dumber than she is and take no credit for her work in front of a group of men who already think it’s an insult that she be allowed to work alongside them at all. Peggy Carter’s kryptonite IS the patriarchy.

Tom and Lorenzo on Agent Carter, “Time and Tide” (via clairemactavish)

I’d like to see, also, a love interest perhaps. Maybe she gets the chance to move on from Cap.” It would be hard to find a man to match up to someone who is literally the embodiment of American ideals, so Atwell is already thinking outside the box. “Maybe it would have to be a woman!

Hayley Atwell on Why Agent Carter Is ‘a Bit of a Nerd’

HAS ANYONE TALKED ABOUT THIS QUOTE YET?

ABOUT HOW HAYLEY ATWELL IS APPARENTLY TOTALLY HERE FOR BISEXUAL PEGGY CARTER?

(via bi-spies)