In the world of superheroes, because it’s such a melodramatic world with operatic undertones to it, most of the best ones have some sort of tragedy, deformity, or disability that is meant to add depth and poignancy to their heroism, whether that’s Bruce Wayne sobbing over his parents’ bodies or Bruce Banner forced to live a life of emotional repression in order to keep his dark side at bay. You could argue that Peggy’s cross to bear is Steve’s death, but we’d argue right back that she’s mourning him in a more or less normal, human way and her grief seems to be following a healthy evolution. No vows to dress like a flying rat over his grave or anything. She’s just taken what she’s learned from him and letting his memory inspire her. No, her cross is even more basic than that. In order to protect her mission from her co-workers, Peggy has to become the bumbling, ineffective Clark Kent/Peter Parker type, hiding her victories and strength from the very people she so desperately wants to notice them. And because this show is using the patriarchal and chauvinistic attitudes of the day as a backdrop for this story, Peggy’s sacrifice becomes all that much more poignant. She has to pretend to be dumber than she is and take no credit for her work in front of a group of men who already think it’s an insult that she be allowed to work alongside them at all. Peggy Carter’s kryptonite IS the patriarchy.

Tom and Lorenzo on Agent Carter, “Time and Tide” (via clairemactavish)

Agent Carter needs to be a success. It needs to be a success because sexism is still very much a thing, in Hollywood as in most other large societal institutions. There is an ironic meta-level to this series and to Peggy Carter as a character, wherein she must battle the sexism of her time in order to do the work she feels called to and which is exclusively male-dominated. Concurrently, her series must fight that same uphill battle of entrenched sexism 70 years in the future, in present-day 2015, as it attempts to make a dent in an entertainment genre still depressingly, excessively inhabited almost solely by white men.

Male superhero yarns can be brilliant, and they can be mediocre and they can be downright abominable, and Hollywood will continue to churn them out prolifically like clockwork. If Agent Carter is nor a roaring success, all hopes for a Black Widow movie go rushing down the drain, along with any other female-led superhero movie or TV franchise still in early stages of development. Agent Carter is a test balloon, and all of Hollywood is using this one 8-episode series to pose the question “Can female superheroes be successful? Can they be profitable? Can they be popular?”

On the Meta-Sexism of Agent Carter & Breaking the Superhero Glass Ceiling (X) via thedailyfandomtv

(via impostoradult)