Spinner fidgets finally appeared in my corner of the world, and I bought one from the dollar shop just to see what it was like and….

…I think I’m in love. $7.

Also, they had off brand big Koosh balls for $2.50, when I haven’t found any for cheaper than $20 online.

jenroses:

hoodoodyke:

electraposts:

madneto:

roseupinmyhead:

spiftynifty:

madneto:

okay, i’m just putting this out here because it needs to be said and i’m sick of letting the bullshit train continue when i could help stop – or at least bring attention to – it. i have a friend who is diplegic and therefore uses a manual chair (her twin was also quadriplegic and in a motorized chair) and when we watch movies with wheelchairs in them, we like to critique the designs.

do you know why mcavoy couldn’t/can’t drive his motorized wheelchair? BECAUSE THE FUCKING WHEELS ARE ON THE WRONG WAY. HANK MCCOY, WHO IS SUPPOSEDLY A “GENIUS”, DESIGNED THE WHEELCHAIR SO THE BIG WHEELS ARE ON THE FRONT AND THE SMALL WHEELS ARE ON THE BACK.

LOOK!

LOOK AT THIS ABSOLUTE BULLSHIT. DO YOU KNOW WHY HE CAN’T DRIVE IT? THE SMALL WHEELS ARE AT THE FRONT BECAUSE THEY ARE SMALL AND THEREFORE ALLOW FOR LOTS OF FINE CONTROL, AND THE BIG WHEELS ARE AT THE BACK BECAUSE THEY OFFER POWER. WHEN THE BIG WHEELS ARE ON THE FRONT IT IS SO DIFFICULT TO CONTROL WHERE YOU ARE GOING. IT’S LIKE WHEN YOU WALK BACKWARDS ON A BIKE AND TRY TO STEER STILL WITH THE HANDLEBARS. I SAT BACKWARDS ON MY FRIEND’S MANUAL CHAIR AND TRIED TO WHEEL MYSELF. IT WAS LIKE COMPLETELY REWIRING MY MOTOR SKILLS EVERY SECOND I WAS MOVING. IT. IS. BULLSHIT. AND ALL OF CHARLES’ CHAIRS ARE LIKE THIS!!! HANK!!!!! WTF!!!!!!!

ALSO. Charles would have THE WORST backpain from that stiff-ass unnecessary fuckin metal backrest that goes all the way up. YOU KNOW HOW PEOPLE’S BACKS GET UNCOMFORTABLE WHEN SITTING FOR HOURS ON A LONG PLANE OR CAR RIDE???? YOU KNOW THAT FEELING??? THAT FEELING IS THIS CHARLES’ LIFE, OKAY. HIS BACK HAS TO BE UNNATURALLY STRAIGHT ALL THE TIME. THIS CRITIQUE IS TAKEN FROM MY FRIEND’S EXPERIENCE BECAUSE SHE ALSO HAS A HARD BACK CHAIR AND HAS BEEN TOLD SHE’S GOING TO HAVE AWFUL BACK AND SHOULDER PROBLEMS BECAUSE OF IT. YET HARD BACKS ARE STANDARD AND SLING BACKS – LIKE THE ONE I’M GOING TO SHOW YOU IN A SECOND – ARE NOT! THIS IS BECAUSE THE WHEELCHAIR-GETTING SYSTEM IS COMPLETELY BROKEN AND IT’S SOMETHING YOU SHOULD REALLY CARE ABOUT BUT IT IS A RANT FOR ANOTHER DAY). THE POINT IS, CHARLES’ BACK IS ONE HURTIN’ UNIT IN THIS CHAIR I GUARANTEE YOU. HE OBVIOUSLY DOESN’T NEED IT FOR TRUNK CONTROL. HE HAS AMAZINGLY FREE RANGE OF MOVEMENT ABOVE HIS HIPS. THIS CHAIR IS  B U L L S H I T. HE CAN’T DRIVE, HE CAN’T SIT UP IN A COMFORTABLE WAY. POOR BABY IS H U R T I N G  but right, Hank’s ~~a genius~~

In contrast, look at this chair!

Look at those tiny-ass wheels on the front! The user of this could spin ON A DIME. It’s Nice as Fuck. Look at that back. (Okay I’m not 1000% certain it’s a slingback) but it doesn’t go all the way up the user’s back! That’s some free-range-of-movement-let-your-spine-do-almost-anything-it-wants-shit right there. Since Charles pretty clearly has full use of his trunk in the movies, this would make much more sense. Also, Ann (friend) and I really don’t see why he would want an electric wheelchair when he clearly could have a manual one that allows for even more control. 

AND OKAY, all wheelchairs should be specific to their users. Some people need more back support. In Ann’s quadriplegic brother’s chair there was a neck brace and little wing things on the side that came out and clamped around his body. Some people’s foot rests need to go out like Charles’ does (whether or not he requires this is kind of foggy, espc. since the overall design is so. asinine.). Some need their footrests to be more in like the orange chair. Some people get tilted wheels, some people don’t. (Also the process for deciding this is bullshit – on government insurance they will only build your chair with the assumption that you will never leave your house and therefore it’s almost impossible to get ‘add ons’ like sling backs and tilted wheels and under-the-seat brakes WHICH SHOULD BE STANDARD, AGAIN, BECAUSE IF YOU DON’T HAVE THEM YOU COULD HAVE MORE MEDICAL ISSUES DOWN THE ROAD OMG THIS SYSTEM IS SO BROKEN). 

But I think we can ALL fucking agree that your wheels should go on the goddamn correct way so you can, you know, steer. And that maybe your chair should be designed more like a mobility assistance device than a fucking 1860′s gentleman’s club wingback for no goddamn earthly reason.

SHIT this stuff gets me riled up.

wow this is really interesting and makes a lot of sense! New headcanon is that Charles only uses the ridiculous X-chair when he’s teaching a class but the second he has spare time he settles into a wheelchair like the one below and just goes “aahhhhhhhh”

@spiftynifty is absolutely right, I was about to criticise his wheelchair as well, but then I noticed that he uses a completely different one when he is actually outside with Hank and Summers brothers (sorry for super bad quality)

Let me reblog this with an addition because YOU SHOULD STILL ABSOLUTELY CRITICIZE HIS WHEELCHAIR. Yes, he uses the manual wheelchair outside. Wanna know why? 

Regular motorized wheelchairs are REALLY REALLY heavy. Charles’ motorized chair, even if its a light weight alloy, is made ENTIRELY out of metal. It’s probably too heavy for wheeling through gravel and across the lawn. He would sink. Also, let me re-iterate, ITS WHEELS ARE CONSTRUCTED ENTIRELY TOO POORLY TO HAVE ANY CONTROL WHATSOEVER. THE *WHEELS* ARE GODDAMN METAL, IMAGINE WHEN ITS ICY OUTSIDE. YEAH. YEAH, IT’S NOT GOOD. And when it’s not icy and he’s trying to wheel across the grass with those stupid-ass wheels – into the pond he goes. Also, Hank put the motor like one fucking inch off the goddamn ground so when the HEAVY WHEELCHAIR inevitably SINKS………. Yeah. Charles is up the creek without a paddle.

As for this manual chair, it is also subpar. Although the wheels are mercifully in the right place, it looks too small for him. The wheels need to come up higher so that when he wheels himself, the rim grips are right there. Also, his arms should be able to go back pretty far on the wheels. Where they are now, you can only get a little bit behind your hips (again, speaking from experience). The high back on this chair AGAIN restricts his movement in this aspect. Charles probably will have shoulder pain that may result in surgery down the road with this chair (because it looks SO MUCH like Ann’s chair and that’s exactly what Ann has been told will happen to her). 

Second of all: I understand you’re just trying to make canon work and are not being bad people (please believe me, I know this), but absolutely no disabled person should have to switch chairs for mobility purposes multiple times a day. These chairs should be built for every day needs. Is wheeling on carpet a bitch with a manual chair? YOU BETCHA! Easy fix: take away the rugs; it’s Charles’ house. Is it more exhausting to go up hills in a manual? Oh my god, I don’t know how people do it, it is the worst. But maybe that’s a struggle that should be shown, instead of magically having him transfer to a new chair whenever a new problem arises? Think: would you like to cart around 47 different mobility devices that you would have to transfer in and out of just because your house and/or your chair, is not built for your life convenience? Maybe they should just build the chair better. It is a part of Charles and it always will be. BUILD. IT. BETTER.

Charles is lucky enough to be a multimillionare with his own lab/engineer to build chairs for him. Hank is 100% capable of making a chair that would defy any disabled person’s wildest dreams. Except…. it’s apparently more important that we just make the chair “look cool”. Never mind that 1. It doesn’t, 2. WHEELCHAIRS THAT WORK FOR DISABLED PEOPLE ACTUALLY CAN LOOK COOL TOO!! WHAT A CONCEPT.

I am just sick and tired of the way disabled people are portrayed in film and media 99% of the time. Wheelchairs are not sick gadgets to do whatever the fuck you want with. They are actual mobility devices that millions of people use, and truthfully representing the lives of those people is important. And hey, wheelchairs are fucking cool! They don’t need art direction to make them be chill! They just need good design, that again, reflects the ACTUAL LIFE the character lives. These are MOBILITY ASSISTANCE DEVICES. They are their legs. It is completely impractical and inconsiderate to think that a disabled person should just hop from chair to chair whenever the need arises.

Well, that was almost a spiritual experience. Thank you for that, madneto. I learned a ton from your righteous wrath.

Once again, this post provides a handy guide for first-time wheelchair users for what to look for in fit.

Random aside that highlights the individuality of wheelchairs… I absolutely can’t use a manual wheelchair to propel myself because the problem that makes walking difficulty means that repetitive stress on my arms and shoulders is equally problematic. Like it’s easier for me to walk than use a manual wheelchair and that’s not saying much. For me the magic “perfect” chair would have to allow me to be upright or almost fully reclined, while allowing indoors, outdoors and stairs. As it is, I mostly stay home, use electric carts in grocery stores, and if I must travel, we rent a scooter and I end up in pain anyway due to the posture it requires. Thankfully I can still walk short distances, usually. But the right device is the difference between being housebound and being in the world. 

kindaoffkilter:

limblogs:

astolat:

scifigrl47:

snowdarkred:

Y’ALL

Y’ALL

Y’AAAALLLLLLL

Holy DAMN.

Everyone, go to youtube and leave some incoherent NOISES for this.

Fantastic! 

I LOVE this. The syncopation, the musicality –sensational integration and interplay between the music and the soundwork. God, I’m so impressed, and just delighted. It’s DELIGHTFUL

Holy shit, this is AMAZING! I would recommend clicking the Watch on Youtube and give it a thumbs up!

This is pretty much my favourite marvel vid of all time.

(If you have the bandwidth, watch it hidef. Seriously.)

Commissioned Epilogue to Man Out of Time

araniaart:

One of my ALL TIME favorite Captain America comics is “Man Out of Time” – a fantastically written miniseries by Mark Waid and GORGEOUSLY illustrated by Jorge Molina ( @jorgemolinam ) that retells the story of Cap coming out of the ice.  It deals with the weight of loss of his removal from his own time, greiving over Bucky’s loss (and remembering him after the Brubaker soft retcon of being about 20 when he “died”).

One of the most striking moments to me is at one point in a flashback, Cap is talking to Bucky about what they want to do after the war is over.  Bucky says that he always wanted to visit the Grand Canyon – he never saw it – and it is a part/represents of what they’re fighting the war for.

At the end of the comic, as Cap has some time to himself, he travels to the Grand Canyon for Bucky, as a way to deal with his loss, and this moment happens:

image

And, well, this moment always gets me.  Steve going there, drawing Bucky, and “showing him” the Grand Canyon in the only way he can.  It’s his way to try to start to move forward.

It was always a dream of mine to see an epilogue, of Steve being actually able to take him there in person after he finds out he’s still alive.  This weekend, I was able to make that a reality.

I had the distinct privilege to be able to commission Jorge Molina himself (the original artist of Man out of Time), at Wizard World New Orleans for just that scene, and here it is:

image

I am BLOWN AWAY by the work he did – this is a traditional media piece, done in inks and copic markers, and the values he worked in, the expressions, the dynamic pose that conveys the awe of the location, and yet still have it be a tender, quiet moment between the two of them.  in the Grand Canyon, Steve with the sketchbook, hand squeezing Bucky’s shoulder, both masks off and taking in the natural majesty of the canyon.

And God, to see Bucky looking honest-to-god /HAPPY/.  

;__________;

Thank you SO much, Jorge, this is everything I could have wanted and more.

Maybe I’ll be able to (ditigally) color this some day 🙂

This is incredibly beautiful and so damn uplifting that I could cry. The amount of detail for a con commission is stunning. It’s like he always had that picture in his head, and was just waiting for an opportunity to create it.

(Also doesn’t hurt my love for it that it doesn’t joss my Man Out Of Time sequel fic at all. :D)

The Celebration of Autism

neurowonderful:

Thank you for the introduction. Hello friends, allies, and fellow a/Autistic people. The tone of my piece will be a little different today, but I’d like to start by sharing a piece of my story.


In my earliest memory, I am standing in a sunbeam. I move my hands so that the light scatters, becoming a golden glow, and watch the dust particles float like little cosmos and galaxies. I am three years old when a daycare employee grabs my fluttering fingers and squeezes so tight that tears make the world go dark.  

I am four years old, and I hide under the table when the clatter and chatter of Christmas dinner becomes too much and grinds against my skull. A relative grabs me with their grown up hands and shakes me, and they hiss at me to sit in my seat and not move, that my bad behaviour is ruining everything. I have to bite my tongue to keep from moving.

I am five years old. I deliver all the lines along with my favourite film characters and sing at the top of my lungs, entire Disney scores by heart. I sing for my peers, but teacher says no singing outside of music class, so I recite my favourite scenes for them instead. No, teacher says, Use your own words. People don’t like to hear about movies, they can just watch them on their own. Are you dumb? Just use your own words.

I am six years old. I love to read. I read everything I can get my hands on, devouring books many grade levels above mine, but I have no friends. My teachers don’t understand me. My behaviour is attributed to laziness, poor discipline, bad parenting. It doesn’t occur to them to ask why I strike out, why I steal the other kids’ lunches, why I bite and cry and hide under tables. They just take away the book and pull me across the floor and force my small body into the carpet.

I am seven years old. I have one friend. Her name is Julie. She sits beside me and watches the teacher lean over me to still my happy flapping. Later, as we laugh together, she reaches over and stills my hands. My heart breaks. Just be happy like the other kids, she says. After our first sleepover, she tells me that I am too weird and my family is too weird, and that her mother said that I am not allowed to sleep over until I get better.

I am eight years old. I sit alone every lunch break and read books. Sometimes my classmates ask me if I want to play, but run further away every time I approach. I stop looking up when they laugh and call my name. The lunch monitor tells me that it’s the quiet kids who have violent thoughts, and that only disturbed people want to be alone. She makes an older student sit next to me. He punches me in the stomach when the lunch monitor turns her back. Anger replaces sadness, but it is myself I hurt in my anger.

I am nine years old when I realize that people don’t like me. A teacher tells me that I don’t know how to talk to people, but no one will tell me how to do it right. I offer up facts about animals, drawings of my favourite scenes from movies, long educational monologues on Ancient Egypt. One day an adult snaps, turning on me with sharp words. Shut up, they say, just shut up. No one cares. You are so annoying. I begin cutting myself off mid-sentence and apologizing for my passion. I feel the fight start to drain out of me.

I am ten years old when I realize what people think of me. My peers call me special, “in the bad way”. Short bus. Speddy. I am ten years old when a teacher asks me if my mother dropped me on my head, that any child could do this easily. I am ten years old when a trusted adult tells me that the way I move when I am excited makes me look like the R word, that real people don’t move like that.

I am ten years old when I try to end my life.


The only words I had had for myself were broken, stupid, freak. The R word. No one was there to tell me that there is nothing shameful about being different, that I am not less. That disability is not shameful. That there is nothing wrong with learning differently or being in special education. If I had had words like executive dysfunction, like meltdown, like sensory overload, like Autistic, I believe that I never would have tried to hurt myself.

It would be another long, dark ten years before I discovered the a/Autistic community. When I finally learned this truth about myself- that I am not a broken neurotypical person, that I am a whole, if bruised, Autistic person, my world was more than changed. It was a whole new world, and it was populated by people like me. Now I am closing in on twenty-five years, and I’m still working on accepting my disabled, chronically ill, Autistic self.

Now I wade back into the hate and the ignorance to spread understanding, trying to advocate for the children who still have a chance and lead a/Autistic adults home. Advocacy is my life, and the message I try to spread is one of acceptance, inclusion, and neurodiversity. This is more difficult than it may sound, because in many ways, I am still that child. I am in the same situation as many autistic adults- I am unlearning self hate and relearning how to be my true self.


When it comes to celebrating Autism, there are those who stand nearby, protesting, holding conditions and waving caveats. Autism acceptance is alright- for some. Sure, we can celebrate Autism- or a few specific, socially-acceptable ways that Autism can present in certain people, in certain situations. Sure, we can celebrate a/Autistic people’s strengths- in as far as those strengths are potentially profitable to capitalism. Sure, love and inclusion may work for those “quirky”, “high functioning” people, but real disability is too tragic, too messy and too uncomfortable, to ever be celebrated. Maybe tolerated. Never celebrated.

You have to watch out for tolerance.  It’s not love or understanding that most of us learn for people who are different, it’s tolerance. Not how to accept, but how to put-up-with. There is no love in tolerance. Tolerance is inequality. Tolerance says, “Who you are is wrong and different, but I, as the right majority, will conditionally allow your unpleasant existence to go on”. Acceptance says “Who you are is a valuable, precious human being who deserves the same respect, rights, and opportunities as anyone else”.

For many, the concept of Autism acceptance is a stretch out of their bubble of privilege that they are not willing to make. The thought of accepting a/Autistic people exactly where we are, as we are, disabled and human, challenges and joys alike, is too much. They are too deeply entrenched in the culture of cure and its panic-perpetuating tragedy rhetoric. To these people, to these people who try in vain to separate the person from the neurotype, to cut out the autism, to mould a non-autistic child from an autistic one- the idea of accepting a/Autistic people as we are is outlandish. To these people then, to celebrate a/Autistic people, and even Autism as a neurotype, is disturbing.

The Mexican poet, educator, and humans rights activist Cesar A. Cruz said that art should comfort the disturbed and disturb the comfortable. Well, the a/Autistic community is uncomfortable, and more than that, we’re in pain, and the comfortable have all the power in the world.

Our resistance is small but mighty, made up of thousands of little lights, each flame carried by an a/Autistic person and protected by our allies. It’s for that reason that I choose to be art, and why, when I was asked to speak on “the Celebration of Autism”, I jumped at the chance to comfort and to disturb. It was only after I accepted the honour of speaking here today that I realized I wasn’t sure how to talk about celebrating autism. I had to decide first what celebration means. I had to think about what it meant to go beyond accepting and to reach celebration.


The celebration of Autism is something so powerful and so subversive, it makes people uncomfortable. It forces people to reconsider what they think they know, to question what the experts are saying, to look to the voices that should be elevated above all others- the voices of actual a/Autistic people.

The celebration of Autism transcends the shadows of ableism and the silence of tolerance. Celebration pulls first-person autistic experience and joy into the limelight. The celebration of Autism is the most powerful tool we have to hold back the dark of indignity, and to spread our message. In a world dark with pity, fear, and hatred for people with disabilities, celebration gets people’s attention. Celebration is radical.

To be able to celebrate parts of your identity and life experience, even if your identity is a marginalized one, even if your life experiences have been fraught with challenge and societal oppression, is not a right afforded to disabled people. We are the largest minority amongst humans, a minority group to which a person of any race, religion, nationality, gender or sexual orientation may belong, and the only minority group that any person can become a part of at any time.

To many of us, our disabilities are vital and intrinsic parts of ourselves, of our identities, the importance and meaningfulness of which cannot be denied. For many of us, disability is as an important aspect of our self as our race, religion, nationality, gender, or sexual orientation. But for too many people, disability is the last holdout of shame, of intolerance, of outright hate. Some of those people are disabled themselves and have internalized a lifetime of ableism.


Once I decided what constituted celebration of autism and how to define it and its benefits, I had doubts that I am qualified to talk on the subject. I’ve talked the talk, but have I walked it? Being autistic is to be different, and disabled. There are hard parts about being autistic. Being autistic in a world built for the non-autistic majority is tough, and it can be tough on us, and it can wear down on our self esteem. It can make it hard to see our lovely parts. I wondered in what ways I celebrate autism. I started looking at my life and thinking about the other a/Autistic people I know whose lives touch mine.

My work on my blog and through my Youtube channel puts me in contact with thousands of strangers. Youtube comments, questions to my blog, facebook comments, e-mails, messages. I would say that about half of these messages are from parents. I would say that the other half are from a/Autistic youths and adults who have found my videos and, for the first time, have words for what they have lived and the knowledge that they are not alone.

There are so, so many a/Autistic adults out there who went misunderstood and misdiagnosed, or undiagnosed. Our understanding of Autism Spectrum Disorders has increased greatly, and now we know more about how Autism presents, particularly in under-diagnosed groups like autistics of colour, autistic women, and autistic people with co-morbid neurological conditions or mental illnesses. But even ten years ago, doctors and professionals didn’t know what we know now, and so generations of a/Autistic children were missed, misdiagnosed, slipping between the cracks to grow into struggling a/Autistic adults.

When these a/Autistic teens and adults reach out to me, every single one of them talk about how incredibly difficult it was to grow up undiagnosed autistic in a non-autistic world. All of them have experienced peer abuse; most have experienced parental abuse, whether intentional or not; most report traumatic school experiences, including public shaming, isolation, restraint, and psychological abuse; many have been taken advantage of by people thought to be friends or abused by a romantic partner; many report experiencing child sexual abuse, and autistic women are many times more likely to be sexually assaulted than non-autistic women.

All of them talk of the deep pain of growing up without insight or explanation into their neurotype or impairments, the only available conclusion to a disabled child being, “I am bad. I am broken. There is something wrong with me and it’s my fault.”

But when they do find us again- when they learn the name we have for the ways their brain works and when they find the a/Autistic community- the wrong explanations used to fill the gaps aren’t necessary any more. You’re not lazy, you have executive dysfunction.

Yes, you are “too sensitive”, but it is a real and valid neurological condition called sensory processing disorder, and it’s okay to make yourself comfortable. You’re not stupid or a selective listener, you have central auditory processing disorder and you learn differently.

You’re not an embarrassment or childish for moving your body in ways that feel good and keep you healthy, but look different than how other people move. There are others who move like you, who rock and flap and spin, who collect information and who echo words and who love passionately and all consumingly. That you are not alone is life saving information. Learning that you are not alone is worth celebrating. Surviving is worth celebrating. And welcoming people back is a community celebration.

When I am openly and unapologetically Autistic, when I live my life in the way that is most healthy and happy for me, I believe that is celebrating. Choosing to share my experiences with you as a way to spread awareness and understanding, and when I get to talk about what I like about being Autistic or about how a/Autistic people are important and worthy of love, that is a form of celebration. Probably the most radical thing I have ever done is make a list of things that I like about being Autistic.


I like how deeply I feel- when I love I give my whole self.

I like how I notice the details that others miss.

I like how I see patterns and make connections.

I like how I see music, bright and rhythmic, flowing shapes and colour.

I like how every good feeling is more, and so much, my body can’t contain it.

I like how I get to feel what it’s like to sing with your body and dance with your hands.

I like when the world shrinks down to my special interest, and for a time, I can make sense of everything, and everything is good.


Another thing worth celebrating, and the thing that I feel most excited to talk about, is a/Autistic culture. It surprises people, but a/Autistic culture exists. a/Autistic community exists. That second one may seem like an oxymoron to people who are still lagging behind and thinking of Autism as strictly a social impairment, as if a/Autistic people are just like non-autistics, or we could be, were we not missing the “social” and “empathy” pieces of humanity.

We design and wear t shirts that say things like “I love someone who is Autistic (it’s me)” and “Neurodiversity is natural”. We craft jewelry for Autistic pride, collect buttons, trade zines. We share stim toy recommendations and post reviews of chewable jewelry.

We make gifs of ourselves stimming, videos about our special interests, and photos of ourselves wearing the faces God gave us, and we share them. We write poems, record podcasts, draw comics, sew weighted blankets and make stimming jars.

We start organizations, like the Autistic Self Advocacy Network, and we have meet-ups and conferences, and we get together to protest and to advocate.

And when I think of what it means to celebrate autism, this is what makes my heart glow with pride and happiness. All of us, the a/Autistic community. Those of us who live loudly and those of us who lead quiet lives.

Those who still struggle with shame, and those who are spreading messages of self-care and acceptance. Those of us who always knew we were autistic and struggled that way, and those of us who didn’t know until later and have our own sets of challenges. Loving and accommodating ourselves and others. Being honest about our limitations and working around them. Finding others with whom to share stories, experiences, interests, and who can really understand. Owning our stories, our selves.

It’s not a perfect community- we are hurting, and the world is still hostile, and many of us are still entrenched in cure culture and hate, or can’t yet escape. But it exists. And that is worth celebrating.

Every autistic that finds themselves again as a teen or adult is important and should be protected. I love to celebrate with them and welcome them back. There will always be room for those of us still meeting ourselves, our wings wet and still weak, just trying out our first flaps.

But imagine this: Imagine if we were to raise a generation of autistic children who don’t have to re-learn how to just exist a/Autistic, who don’t have to cut through scar tissue to let out the pain, to clean out the old wounds underneath, to let them heal.


Imagine if we could raise a generation of a/Autistic children who never had to hide who they are, force themselves into something they are not, only to burn out when the dam breaks and the strain of the act is finally too much. Who never have to hear the words epidemic, crisis, tragedy, burden, or mercy killing applied to them again.

Whose humanity, whose personhood and competence is never compromised or in doubt, whose dignity and rights are respected. A generation of children who love and accept themselves, and who can celebrate all of the parts of themselves worth celebrating.


To my fellow a/Autistic people, today I encourage you to think of one thing about your autistic self that you can embrace, and work towards celebrating that.

To the loved ones of a/Autistic people, I encourage you to look at the a/Autistic person you love and see with eyes that can see the value, the potential, the joy. And no matter who you are, I hope that, today and every day, you will join in celebrating a/Autistic people, our culture, our experiences, and in making a better and safer world for autistic children and adults and our families.

Thank you.