I keep reading jokes and text about the metal arm being removable. This bothers me for a variety of reasons. The way that he is able to use the arm in CA: WS is, frankly, amazing. He is able to utilize it as though it were an organic part of his body, and not just in ways that a real armwould work. For example, we see multiple occasions where hydraulics kick in to force the arm forward, but (as far as I can tell – please let me know if you noticed something I did not) there is no preceeding visible command. In fact, the only time that I can remember a gesture that may have been a physical cue was when he was forced to recalibrate following Black Widow’s EMP attack: he sort of spreads his fingers, and even that could simply be to check function rather than an actual command.
So how does the arm work? Obviously he has spacial recognition. This means that there has to be some form of sensation involved. However, it is reasonable to assume that he does not feel pain in that limb like the typical human would; imagine the intense pain he would feel in the following image otherwise?
Speaking of this scene: If the Winter Soldier’s arm could be unattached, it would have at that moment. The amount of force being exerted is more than enough to rip a normal human arm right out of its socket. In fact, this scene is pretty good proof that he’s had a great deal of his skeletal system replaced / reinforced. If they only reinforced the shoulder, the force would rip the entire altered section away from weaker natural bone. Therefore, he’s likely been modified along the entirely of his upper torso (from shoulder to shoulder) as well as down his rib cage. I’m not even going to get into his knee or toes in this scene…
My guess is that he can feel pressure, but nothing as complex or possibly incapacitating as pain/pleasure or hot/cold. Pressure is pretty important in his position: squeezing a trigger, not crushing things when he picks them up, etc.
In order to have any sensation, however, the arm has to be wired into his nervous system. So, somewhere in his shoulder they have connected the arm to not only his muscular and skeletal systems, but also the nervous. At some point Hydra would have had to reconstruct his entire shoulder, not only to deal with the original damage and atatching the new prosthetic, but to fortify the joint and surrounding bone in order to support the extra weight and stand up to the extreme amount of wear and tear.
Furthermore, the Winter Soldier is able to accomplish things with extreme precision. The scene where he catches Steve’s shield shows just how flawlessly he can use his arm. Being able to move that accurately would be impressive for a natural appendage, but considering that this is a prosthetic? Medically we’ve come a long way with modern prosthetics, to the point where the user can flex their fingers and grasp, but to accomplish anything complicated they must keep their eyes on the task at hand (that wasn’t meant as a pun, I swear). And yet, the Winter Soldier manages to snag the shield at exactly the right moment reflexively.
You can see a lot of examples showing how aware the Soldier is of the arm’s position in space. See how he is able to grab the weapon without looking in the following gif:
He doesn’t have to look or even focus, he just snags it as he walks by.
Alright, now let’s talk anatomy. Take a look at the above image to see where he metal meats skin, and then take a look at this link for some nifty muscle references. Look at how many muscles are involved in allowing an arm full range of motion here (hint: it’s a lot). In order for the arm to work so seamlessly, they’d have to attach it to (or replace) the trapezius, the pectorals major, the coracobrachialis, the subclavius, the pectorals minor, and the teres major in the front. In the back it’d be the trapezius, rhombi major, infraspinatus, and the teres major and minor. With as low as the metal bits are positioned, you’re looking at something that’s been locked in at the ribs, clavicle, and the scapula – unless they’ve completely replaced them, of course. Which is quite possible, considering how much abuse the Winter Soldier puts his body through.
There are plenty of other (unanswered) questions concerning the arm, such as how he’s able to move so well without chafing and how the the skin-to-metal boundary works. I have guesses for these, also, but I’ll save those for later. The message for now is: Bucky’s arm is staying right where it is without some major work.
Thanks to @100yearpatriot for the references and your magnificent brain.
Well… in at least one of the comics it does come off. I remember seeing the scene here on tumblr, somewhere. But yes, in the movie it wouldn’t make sense. Also kudos for detailed information! 🙂
(For some reason I couldn’t get it to reblog with this response, so I finally had to C&P)I’ve also read a comic – can’t remember which volume or anything – where Bucky mentions that Fury gifted him with technology that allowed him to go through airport security.
Which makes no sense because he was regularly going through security as the Winter Soldier in the past (they used him since he was American-passing). Of course, that’s not unusual for comics… There are just too many of them, spanning too many years, not to find incongruities.
On the Disney Wiki for CA: tWS they mention that his arm is detachable which, again, makes no sense when you take actual physiology into account. Not even “super neat Marvel science” would account for this. It just isn’t feasible on the human form. Not even on an enhanced human form.
Even after a significant amount of time considering his arm, my previous conclusions remain my head canon, and make the most sense as far as I can tell. My opinion is that he has neural control over the arm, much as a natural appendage would be. I would imagine that it’s a combination of the electric impulses given off by his brain and the muscular contractions from the surrounding shoulder-area.
This isn’t anything too out there. Prosthetics are already being made with some of this capability:
- The Verge: Watch a man control two robotic prosthetic arms with his mind
- c|net: Amputee simultaneously controls two prosthetic arms with his mind (more in-depth)
- Chalmers: Mind-controlled prosthetic arms that work in daily life are now a reality
- Science Daily: New prosthetic arm controlled by neural messages
Gah, this is just all too fascinating.
Tag: interesting
Dear Avengers and Iron Man movieverse fandom,
I’ve noticed there’s fanfic in which poor Rhodey has been demoted three whole ranks. Here are some facts that may prove helpful when writing:
1) He is Lieutenant COLONEL James Rhodes.
2) He is addressed as “Colonel” or “Lieutenant Colonel” in conversation.
3) His pay grade is O-5.
4) Lieutenant Colonel is ranked above a Major (O-4) and below a full-bird Colonel (O-6).
5) Steve would salute Rhodey and Rhodey would return the salute, not the other way around. A Captain (O-3) is two ranks below a Lt Col.
5a) But Rhodey MAY salute Steve first, out of respect.
6) Rhodey is NOT a Lieutenant, which is one of the two LOWEST commissioned officer ranks in the Air Force, 2nd LT (O-1) and 1st LT (O-2).
7) His insignia is a silver oak leaf (or a black oak leaf if wearing desert cammo).
8) Based on his rank, he’s served approximately 10 to 16 years in the Air Force.
9) He was Air Force ROTC at MIT. (It’s implied, anyway, since Tony talks about them going on Spring Break together.)
Thanks,
Scrollsairobee:
Handy stuff to know!youneedtolookatthis:
And Carol Danvers /is/ a full-bird Colonel, so she ranks both Steve /and/ Rhodey.typewriterchan:
An addendum: one of the only legit and proper ways Rhodey would salute Steve first is if Steve is a recipient of the Congressional Medal of Honor. While it is not required by law or military regulation, there is a very strong cultural tradition in the services of rendering a salute to a CMOH winner as a sign of respect.(I don’t know if Steve is a CMOH recipient in the MCU, – I’d consider it fairly likely, though, given the events at the end of First Avenger. A lot of CMOH awards are posthumous.)
dixie-chicken:
I have reblogged all this before, but I have been told that Rhodey is full-bird Colonel by the end of IM3. I do not have the canon source for this, but he rescued the goddamned President with a 45, I’m shocked he’s not Secretary of fucking Defense by the end of IM3.typewriterchan:
Suddenly, fic thoughts of Rhodey being presented the CMOH (because let’s be honest, if there’s valor, it’s rescuing the President with a .45 and a polo shirt) and Steve being at the ceremony and possibly getting the privilege of putting it on him.wintercyan:
Steve is a Congressional Medal of Honor recipient! In CA:TFA, we see Senator Brandt presenting a “medal of valor” (no such medal actually exists in the US military) to Steve for rescuing the 107th POWs, except Steve doesn’t show up—however, in a deleted scene included on the DVD, we see this newspaper headline:
And in the following deleted scene, Colonel Philips hands Steve the medal, telling him he deserves it for embarrassing “a US senator in front of a room full of reporters and ten members of Parliament.”
So if deleted scenes are canon, Steve did get the CMoH in WW2.
Also, as it has been pointed out, “in accordance with DoD and Army policy [Steve, as MIA 1945-2011, would have been entitled] to automatic promotions. This at minimum means Steve is a full Colonel.”
So Steve is still the highest-ranking military member of the Avengers.
Could you tell me which plot elements in the MCU were original and which were adapted from 616? I was surprised to learn that things like Tony’s chest reactor and Jarvis as an AI didn’t come from the comics
Anon, that is a reference book waiting to be written. 😀 I’m gonna give you the very brief highlights as I think of them.
The location for the shoot was in Switzerland, around Sion. The shoot was divided in 2 groups: the aerial Unit for the helicopter plates shot on Panavision Genesis and a ground unit with a tracking vehicle mounted with 2 Arri Alexa cameras on an Ultimate Arm. Dan also took thousands of tiled photographs of the environments and rock textures on canon 1Ds in order to build digital versions of the landscape.
We built the train model with an engine, 5 carriages and a caboose with gun turrets. This was then rigged with controls for the speed, the amount of movement between carriages and the banking. A separate rig allowed the artists to generate train tracks procedurally and constrain the train to the tracks. All this was animated in autodesk maya 2011. The textures of the train had to be seen fairly close. This meant having to use 3 high resolution textures of a resolution of 8000 pixels per carriage. In total, the train had 9 textures per channel (colour, specular, reflection, dirt, displacement, bump). Then each carriages had variations in the textures. This accounted for a total of over 80 textures. The texturing was done in Photoshop and Mari from the Foundry. The look development, lighting and rendering was done by David Mucci with Pixar renderman using HDRI image based lighting and raytracing. DNeg’s team also modelled, textured, and rigged the cable and zipline. The digi-doubles of Captain America, Bucky and Gabe were used in some shots at a maximum of a quarter of the screen height in pixels. They were constrained to the cable rig in a hanging position and were animated to the correct speed to land on the train.
To plan the whole sequence, production provided DNeg with a post-viz animation cut done by the Third Floor.We then had to model the whole environment based on the layout of the shots to ensure geographic continuity in the sequence. This meant having to go from large vistas to hugging a cliff side when on top of the train. This was a challenge in itself as the resolution of the rock face needed to holdup to full screen with a train going past at 90 mph, therefore covering lots of ground in a single shot.
To this end myself and our in-house surveyor, Craig Crane, took our lidar out to Cheddar Gorge, surveyed a number of locations to produce a vast high resolution mesh. This was then handed over to Rhys Salcombe to be cleaned in 3D coat and textured in Mari using a projection technique. The photography was sourced from the rock faces corresponding to the lidar scans. Rhys also modeled and textured a couple of viaducts that we see at the start and end of the sequence. The entire landscape was recreated in maya, with the addition of trees generated in houdini. Finally, the snow was added by a procedural shader in prman. For the distant plates, we used a mix of matte painting projection and the background plates shot in the alps. Various layers of effects and atmospherics were also added by Howard Margolius and his FX team: snow falling, snow being kicked by the train, mist and clouds and one hero explosion when a hole gets blasted in the side of the train.
from CAPTAIN AMERICA: Charlie Noble – VFX Supervisor – Double Negative October 4th 2011
10 Things Agent Carter Did Right
The seven tests that Agent Carter passed in two hours, and the three it thankfully failed. (Spoilers)
1. Passes the Mako Mori Test:
- The Test: “The show has a) at least one female character, b) who gets her own narrative, c) that is not about supporting a man’s story.”
- Peggy Carter isn’t kicking butt because she’s trying to prove herself to anyone, she’s doing it because she wants to help people. That’s why she joined the SSR back in WWII, it didn’t change when she met Rogers, and it hasn’t changed since she lost him.
2. Passes the Bechdel Test:
- The test: “The show has a) at least two women; b) who talk to each other; c) about something besides a man.”
- This is the lowest bar for female representation and not only does Agent Carter pass, but an entire sub-plot is nothing but two females talking to each other about everything but guys.
3. Passes the Oracle Test:
- The Test: “The show has a disabled character who a) is not there ‘to be fixed’; b) whose narrative does not revolve around the disability; c) does their job while having a disability, not in spite of having a disability.”
- Sousa is a wounded war vet who may not be able to chase down bad guys, but he has a voice in the group and does his job. He’s not trying to prove anything, nor does he have something to prove. You might even forget he’s disabled because it’s simply a part of who he is, not what he is.
4. Passes the Phryne Fisher Test:
- The Test: “The show has a female character who a) has a traditionally masculine job; b) does not masculinize herself for the sake of the job; c) uses her femininity to her advantage; d) is not sexualized in the narrative.”
- Peggy is allowed to be herself, and that means wearing whatever makes her comfortable. She wears skirts, has her hair done up, and her makeup is on point, for her, not for an audience who might want to sexualize her. And when she needs a day off to go hunt down bad guys without her boss knowing, she has no qualms in using his chauvinism against him. She even threw out that line about ‘until I’m married’ to convince the land lady to rent her an apartment.
5. Passes the Sexy Lamp Test:
- The Test: “Can you replace the female character with a sexy lamp? If so, then you’re a hack.”
- Just because Peggy is the title character doesn’t mean she can’t be overshadowed by her male counterparts. In Agent Carter, Peggy is more likely to hit you with a sexy lamp than be the sexy lamp. Angie also passes the sexy lamp test as the supporting character.
6. Passes the Lottie Test:
- The Test: “The show has a) character(s) who rival the main character’s job or love interest; b) have reasonable skill in the job or allure for the love interest; c) are likeable or at least respectable.”
- This fails when a rival is made either a complete idiot or horribly unlikable, but only to make the main character look good. In Agent Carter, Jack is chauvinistic but no more than expected for the time period. He’s intelligent and stays only a few steps behind Peggy who had an advantage over him because Stark confided in her. But this only gave her a head start, Peggy has to use her smarts and wit to keep ahead of him which only showcases how clever she is.
7. Passes the Brittle Sword Test:
- The Test: “Even a warrior’s sword has to be able to bend, otherwise it becomes brittle and breaks.”
- Peggy is certainly very strong but when her friend is killed, she first kicks a lot of butt, and then takes a moment to mourn and cry. Peggy is not made to look cold and heartless in order to make her appear to be a strong character, she’s allowed to have emotions.
8. Fails the Pantomime Test:
- The Test: “The female character can be swapped with a male character, with little to no edits, and the narrative still makes sense.”
- Peggy’s character does follow several tropes typically seen in male led storylines, but her characterization and personal plot points are uniquely feminine. Her fighting blatant chauvinism, her difficulty in finding a safe place to live, and other aspects of her story would not make sense if Peggy was Peter.
9. Fails the Moonlighting Test:
- The Test: “The main character a) is given a partner or work rival; b) this character is immediately set up to be the love interest; c) and they may be instantly despised by the main character in order to force sexual tension.”
- Peggy is given a partner, Jarvis, and a rival, Jack. Neither are set up as the love interest. This means that her interactions between them are not meant to further a ‘will they, won’t they’ sub-plot, but to actually further the plot. This serves to give Peggy, Jarvis, and Jack their own identities.
10. Fails the 9 to 5 Test
- The Test: “The female character a) has no female friends outside of work; or if she does a) she spends over half the time talking to said friend about work and/or relationship; b) the friend does not help to further character development; c) they are only there to bounce exposition off of.”
- While there is mention of Peggy’s job at ‘the phone company’, she spends most of her time talking to Angie about customers, apartments, and other girls. Peggy’s reluctance to put Angie in danger shows character evolution. Angie gives Peggy an existence outside of her work environment and offers more facets to her character.
IN THE MARVEL CINEMATIC UNIVERSE THE AO3 PROBABLY HAS A WHOLE SECTION ON THE CAPTAIN AMERICA ADVENTURE HOUR.
I BET PEOPLE GET INTO FIERCE FIGHTS OVER WHETHER IT COUNTS AS RPF OR FPF
Bucky/Steve was probably the Kirk/Spock of the MCU.
Also? You just know there were little girls who wanted to play and write fic where Betty Carver was a badass lady who worked to take down Hydra no matter what Cap did.
And said little girls were probably told they were doing Betty totally OOC and to stop making her into such a Mary Sue.
HEY SO LET’S TALK ABOUT THIS BECAUSE THIS IS MAYBE THE MOST IMPORTANT ADDITION TO ANY POST ON TUMBLR AND I’M INCLUDING THE PERSON WHO DEFENDED THE EYEBROWS-ON-MONA-LISA PERSON BY TALKING ABOUT PARENTS MEETING IN CLOWN CARS IN THIS ESTIMATION.
Because this is it. This is the meta-statement we’ve been waiting for. This is the explicit textual acknowledgment, within the Marvel universe, that some of the earlier beloved stories about favorite characters got things wrong. They misrepresented things. They played up the accomplishments of (say) the dashing straight white man, while minimizing the role of others.
This is the closest we’re probably ever going to get within the universe, rather than within the metatext, to the idea that women as “Mary Sues” is bullshit, and the real truth is that women were amazing all along and the text was biased towards a straight white male perspective.
This is the permission (not that we ever needed it, but good to be granted anyway) that we can look at early comics and movies and say “Oh, I see, this is the part where Pepper or Peggy or Betty or Jane or whoever saved the day but the story had to pretend it was the guy.” By making this explicit within the MCU, they are (perhaps inadvertently, IDK) giving the same permission to us in the real world.
I’m not saying this is actually what was intended, but I would argue this is a valid reading supported by the text.
This reading works really well on the Fantastic Four. The earliest stories tended to concentrate more on the three men, but Sue eventually got “powered up” so she was on par with them. This can easily be interpreted as the stories slowly having to catch up with what was actually happening.
YES.
Some poor comics editor in this ‘verse had to be like “Sir, we have a problem. People are finding these comics unbelievable.” “Is it the man on fire or the man made of rock?” “No, those are fine, obviously. It’s just- seeing how competent the Invisible Woman is on the streets of their hometowns is making them question the Invisible Girl in our stories.”
Can we just talk about Steve’s Apartment though?
I mean like, actually. So who do we think posed for that center drawing? Also, based on the rest of the concept art, it looks a lot more like Bucky is the one doing dishes, not Steve.
And like, The Bathtub Table. The Bathtub Table – set for two. Like, actually.
A Man out of Time
Agent Carter needs to be a success. It needs to be a success because sexism is still very much a thing, in Hollywood as in most other large societal institutions. There is an ironic meta-level to this series and to Peggy Carter as a character, wherein she must battle the sexism of her time in order to do the work she feels called to and which is exclusively male-dominated. Concurrently, her series must fight that same uphill battle of entrenched sexism 70 years in the future, in present-day 2015, as it attempts to make a dent in an entertainment genre still depressingly, excessively inhabited almost solely by white men.
Male superhero yarns can be brilliant, and they can be mediocre and they can be downright abominable, and Hollywood will continue to churn them out prolifically like clockwork. If Agent Carter is nor a roaring success, all hopes for a Black Widow movie go rushing down the drain, along with any other female-led superhero movie or TV franchise still in early stages of development. Agent Carter is a test balloon, and all of Hollywood is using this one 8-episode series to pose the question “Can female superheroes be successful? Can they be profitable? Can they be popular?”
On the Meta-Sexism of Agent Carter & Breaking the Superhero Glass Ceiling (X) via thedailyfandomtv
(via impostoradult)
“Is the Winter Soldier the world’s most dangerous assassin that’s ever lived or the world’s longest serving P.O.W.?” Anthony Russo asked. “Is he responsible for his actions since he was turned into the Winter Soldier, or is he innocent by reason of insanity? Where does this character live now? Is he ever going to be acceptable again to Cap in the way he once was, before he was the Winter Soldier? Those are the really complicated relationship questions and philosophical questions and emotional questions that intrigued us moving forward.” (x)






