me, looking at the current state of the world, crying:I wish none of this had happened…
Gandalf, materialising in my conscience, smiling kindly: So do all who live to see such times, but that is not for them to decide. All we have to decide is what to do with the time that is given to us. There are other forces at work in this world, besides the will of evil.
hello i just want to say that i understand the thought process behind “wlw cant fetishize women” and i understand where this comes from but also its still relevant to the conversation to talk about how white wlw sexualize woc. i saw a post claiming that bringing this up is derailing and that “ppl know what we mean” but i really dont think it is!
white wlw need to be aware of how they view woc. they need to be conscious of this sexualization. conscious of how they speak about our bodies. conscious of how they touch us. conscious of their expectations on our sexuality and wants and desires. white women have a long history of violence! yall contribute to our fetishization and abuse!! its relevant to the conversation and it may be uncomfortable to acknowledge but it needs to be said and heard.
a woman viewing another woman sexually is not inherently dehumanizing, but you still need to take into consideration the way race plays into it.
“I think it’s vital that teachers are trained about dyslexics, about dyslexia, about spotting it, and about working with dyslexic kids. It’s absolutely vital because the world is changing and imagination is key to everything and there’s going to be a lot of kids whose potential are lost unless we train our teachers to effectively teach them.”
My grandfather was a generally peaceful man. He was a gardener, an EMT, a town selectman, and an all around fantastic person. He would give a friend – or a stranger – the shirt off his back if someone needed it. He also taught me some of the most important lessons I ever learned about violence, and why it needs to exist.
When I was five, my grandfather and grandmother discovered that my rear end and lower back were covered in purple striped bruises and wheals. They asked me why, and I told them that Tom, who was at that time my stepfather, had punished me. I don’t remember what he was punishing me for, but I remember the looks on their faces.
When my mother and stepfather arrived, my grandmother took my mother into the other room. Then my grandfather took my stepfather into the hallway. He was out of my eye line, but I saw through the crack in the door on the hinge side. He slammed my stepfather against the wall so hard that the sheet rock buckled, and told him in low terms that if he ever touched me again they would never find his body.
I absolutely believed that he would kill my stepfather, and I also believed that someone in the world thought my safety was worth killing for.
In the next few years, he gave me a few important tips and pointers for dealing with abusers and bullies. He taught me that if someone is bringing violence to you, give it back to them as harshly as you can so they know that the only response they get is pain. He taught me that guns are used as scare tactics, and if you aren’t willing to accept responsibility for mortally wounding someone, you should never own one. He told me that if I ever had a gun aimed at me, I should accept the possibility of being shot and rush the person, or run away in a zig-zag so they couldn’t pick me off. He taught me how to break someone’s knee, how to hold a knife, and how to tell if someone is holding a gun with intent to kill. He was absolutely right, and he was one of the most peaceful people I’ve ever met. He was never, to my knowledge, violent with anyone who didn’t threaten him or his family. Even those who had, he gave chances to, like my first stepfather.
When I was fourteen, a friend of mine was stalked by a mutual acquaintance. I was by far younger than anyone else in the social crowd; he was in his mid twenties, and the object of his “affection” was as well. Years before we had a term for “Nice Guy” bullshit, he did it all. He showed up at her house, he noted her comings and goings, he observed who she spent time with, and claimed that her niceness toward him was a sign that they were actually in a relationship.
This came to a head at a LARP event at the old NERO Ware site. He had been following her around, and felt that I was responsible for increased pressure from our mutual friends to leave her alone. He confronted me, her, and a handful of other friends in a private room and demanded that we stop saying nasty things about him. Two of our mutual friends countered and demanded that he leave the woman he was stalking alone.
Stalker-man threw a punch. Now, he said in the aftermath that he was aiming for the man who had confronted him, but he was looking at me when he did it. He had identified me as the agent of his problems and the person who had “turned everyone against him.” His eyes were on mine when the punch landed. He hit me hard enough to knock me clean off my feet and I slammed my head into a steel bedpost on the way down.
When I shook off the stunned confusion, I saw that two of our friends had tackled him. I learned that one had immediately grabbed him, and the other had rabbit-punched him in the face. I had a black eye around one eyebrow and inner socket, and he was bleeding from his lip.
At that time in my life, unbeknownst to anyone in the room, I was struggling with the fact that I had been molested repeatedly by someone who my mother had recently broken up with. He was gone, but I felt conflicted and worthless and in pain. I was still struggling, but I knew in that moment that I had a friend in the world who rabbit-punched a man for hitting me, and I felt a little more whole.
Later that year, I was bullied by a girl in my school. She took special joy in tormenting me during class, in attacking me in the hallways, in spreading lies and asserting things about me that were made up. She began following me to my locker, and while I watched the clock tick down, she would wait for me to open it and try to slam my hand in it. She succeeded a few times. I attempted to talk to counselors and teachers. No one did anything. Talking to them made it worse, since they turned and talked to her and she called me a “tattle” for doing it. I followed the system, and it didn’t work.
I remembered my friend socking someone in the face when he hit me. I recalled what my grandfather had taught me, and decided that the next time she tried, I would make sure it was the last. I slammed the door into her face, then shut her head in the base of my locker, warping the aluminum so badly that my locker no longer worked. She never bothered me again.
Violence is always a potential answer to a problem. I believe it should be a last answer – everything my grandfather taught me before his death last year had focused on that. He hadn’t built a bully or taught me to seek out violence; he taught me how to respond to it.
I’ve heard a lot of people talk recently about how, after the recent Nazi-punching incident, we are in more danger because they will escalate. That we will now see more violence and be under more threat because of it. I reject that. We are already under threat. We are already being attacked. We are being stripped of our rights, we are seeing our loved ones and our family reduced to “barely human” or equated with monsters because they are different.
To say that we are at more risk now than we were before a Nazi got punched in the face is to claim that abusers only hurt you if you fight back. Nazis didn’t need a reason to want to hurt people whom they have already called inhuman, base, monsters, thugs, retards, worthless, damaging to the gene pool, and worthy only of being removed from the world. They were already on board. The only difference that comes from fighting back is the intimate knowledge that we will not put up with their shit.
I’ve been trying to think of a good term for the “weepy movies about tragic queer people aimed at straight audiences” subgenre, and I think I’ve got it:
dead gays for the straight gaze
eh? eh??
queers die for the straight eye
SO YOOOO who wants to learn why this is a thing because the history is actually really fascinating and ties into some of my favorite shit ever?
Okay, so like, back in the mid-twentieth century, when being queer was still totally a crime everywhere in the United States, queer writers started working in pulp fiction–starting with Vin Packer (she is awesome)–and writing pulps to tell our stories.
So one day over lunch, her editor asks her, “Hey, Vin, what’s the story you most want to write?”
And she goes, “Well, I’d like to write a love story about lesbians because I’m, you know, gay.”
He says, “Hey, that’s awesome, I will publish it. One thing, though, the homosexuality has to end badly and the main character has to realize she was never gay in the first place. We can’t seem to support homosexuality. I don’t actually think that’s cool, but the government will literally seize our book shipments and destroy them on the basis of the books being ‘obscene’ if you don’t, so if we want this story actually out there, and not burning in a bonfire somewhere, it’s what you gotta do.”
So Vin goes home and writes Spring Fire, the book that launched the entire lesbian pulp genre. And while one character ends up in an insane asylum and the other ends up realizing she never loved her at all, it’s massively successful, and queer women everywhere snap it up and celebrate quietly in their closets across the nation because HOLY SHIT THERE’S A BOOK ABOUT ME? I’M NOT ALONE and it starts a huge new genre.
But: every publisher is subject to those same government censorship rules, so every story has to end unhappily for the queer characters, or else the book will never see the light of day. So, even though lesbian pulp helps solidify the queer civil rights movement, it’s having to do so subversively or else it’ll end up on the chopping block.
So blah blah blah, this goes on for about twentyyears, until finally in the seventies the censorship laws get relaxed, and people can actually start queer publishing houses! Yay! But the lesbian pulps, in the form they’d been known previously, basically start dying out.
MEANWHILE, OVER IN JAPAN! Yuri, or the “girls love” genre in manga, starts to emerge in the 1970s, and even starts dealing with trans characters in the stories. But, because of the same social mores that helped limit American lesbian pulp, the stories in Japan similarly must end in tragedy or else bad shit will go down for the authors and their books. Once more: tragic ends are the only way to see these stories published rather than destroyed.
The very first really successful yuri story has a younger, naive girl falling into a relationship with an older, more sophisticated girl, but the older girl ends up dying in the end, and subsequent artists/writers repeated the formula until it started getting subverted in the 1990s–again, twenty years later.
And to begin with cinema followed basically the same path as both lesbian pulps and yuri: when homosexuality is completely unacceptable in society, characters die or their stories otherwise end in tragedy, just to get the movies made, and a few come along to subvert that as things evolve.
But unlike the books and manga before them, even though queer people have become sightly more openly accepted, movies are stuck in a loop. See, pulps and yuri are considered pretty disposable, so they were allowed to evolve basically unfettered by concerns of being artistic or important enough to justify their existence, but film is considered art, and especially in snooty film critic circles, tragedy=art.
Since we, in the Western world, put films given Oscar nods on a pedestal, and Oscar nods go to critical darlings rather than boisterous blockbusters (the film equivalent of pulps, basically), and critics loooove their tragedy porn, filmmakers create queer stories that are tragic and ~beautiful~ that win awards that then inspire more queer stories that are tragic and ~beautiful~ until the market is oversaturated with this bullshit.
The Crying Game? Critical darling, tragic trans character.
Brokeback Mountain? Critical darling, tragic queer (? not totally sure if they’d consider themselves gay or bi, tbh?) characters.
And so on and so on VOILA, we now have a whole genre of tragedy porn for straight people, that started out as validation for us and sometimes even manages to slip some more through the cracks occasionally, but got co-opted by pretentious ~literary~ types. While tragic ends made these stories more acceptable to begin with, and in the mid-to-late nineties that started getting subverted a little bit (Chasing Amy, But I’m a Cheerleader), eventually that became the point, as more straight audiences started consuming these narratives and got all attached to the feels they got from the ~beauty of our pain~.
As an update, they’ve moved into a house together and are still super cute
Gundam Guy is truly a man of patience and diligence. From his attention to detail building his models to the loving attention and detail for his wife.
Hey all!
Elle is actually one of my ride or dies. We became friends about 8 or 9 years ago on this here blue website, and I love her so fucking much.
Their story is sweet, but unfortunately, they’re going through some hard times. Elle’s endometriosis is super bad, and she’s neck deep in medical bills, on top of being unable to work due to the disease. This is making it really hard for them to keep up with other bills, as she can’t supplement their household income.
She’s had a GoFundMe up for a long time now, but it still has a long way to go. They really do need the help so they can live their cute ass lives!!
If you can boost this and maybe consider donating (instead of that Kylie bullshit), it would be incredible. I’m posting this on her behalf since she doesn’t use Tumblr anymore.
knitting in the dark 