sharpestrose:

elidyce:

formerqueenregent:

aleccto:

“Yes,” said Eustace, “and whenever you’ve tried to get her to come and talk about Narnia or do anything about Narnia, she says ‘What wonderful memories you have! Fancy you still thinking about all those funny games we used to play when we were children.’ ”

“Oh Susan!” said Jill. “She’s interested in nothing nowadays except nylons and lipstick and invitations. She always was a jolly sight too keen on being grow-up.”

“Grown-up, indeed,” said the Lady Polly. “I wish she would grow up. She wasted all her school time wanting to be the age she is now, and she’ll waste all the rest of her life trying to stay that age. Her whole idea is to race on to the silliest time of one’s life as quick as she can and then stop there as long as she can.”

“Well, let’s not talk about that now,” said Peter.

       

The one I wanted to throttle was Polly. Lucy is possibly young enough not to really get it yet but Polly was a grown-ass woman and should have known better than to talk that kind of shit about a young woman wanting to stop being a child.

Susan wanted to grow up. She wanted (as mentioned in ‘The Horse And His Boy’) to fall in love and get married. She worried, she protected, she mothered. And she was the only one, the only one out of all of them, who got it right. Aslan told them they had to move on. To grow up. To find him in their own world. 

Susan was Aslan’s big fucking success. The others couldn’t do it. They couldn’t take the lessons they’d learned in Narnia into their own world. They couldn’t make a difference there – no, they all spent their time obsessing with getting back. Narnia was heaven for them and they couldn’t function anywhere else, so Aslan took them back one last time to suspend them forever in the only world they wanted.

Narnia was not Susan’s heaven. Narnia was not what Susan wanted. Eternal youth and innocence was not what Susan wanted. Susan wanted to grow. Susan wanted to grow up. Susan wanted love, and family, and her own world. Susan’s heaven was the one drawn from Earth, from a life lived to the full.

Since I was a kid, I have always thought of ‘The Last Battle’ as a very sad story because it is ultimately a story of failure. All the ‘kings and queens of Narnia’ die and are brought back to the dying magical world because they couldn’t accept what Aslan had told them over and over about growing up and moving on. They weren’t supposed to come back. It was a final act of mercy that Aslan allowed them to do so, since they couldn’t bear to live in their own world.

I think Susan would visit them someday, with her queen’s crown and her blazing red lipstick and the lines of growth and character on her face, and very gently explain to the perpetual children in Narnia that she was thankful that Aslan hadn’t taken her with the others. That she was thankful for her children and grandchildren, for boyfriends and husbands, for a life that was full and happy and productive. That she never needed Narnia to be happy. That she missed them, that she’d mourned for them, but she wouldn’t change her own choice for anything.

The other thing is that they had all already grown up once, in Narnia. In Horse and His Boy, there are references to how men try to be Susan’s lovers — and while this may not be intended in a sexual sense, it’s very much a thing that happens to adults, not children.

Whatever childhood she’d managed to cling to after being sent away from the Blitz and having to be mother to her siblings had ended. Puberty doesn’t go two directions, even if they returned to being children physically when they came back through the wardrobe. 

The fact that she wanted to move and grow again, that her version of femininity wasn’t Lucy’s or Jill’s or Polly’s, was enough to deny her paradise? Really?

A misogynist writer, a feminist portrayal and me: why I can’t choose a side

I know there’s a lot of hate about Steven Moffat, and from what I can tell, a lot of it’s justified, but I haven’t really weighed in much on it, because I am incredibly conflicted.

Why?

Because I was a girl in the late ‘80s and early ’90s, and like a lot of girls my age, I found Press Gang. It was such an important, unique, groundbreaking show in so many ways, and it gave me a role model who I still hold in my echelon of favourite female characters. Lynda Day.

She was strong willed.
She was ruthless.
She didn’t care about fashion.
She had ambition.
She advocated for herself and her profession with all her might.
She wasn’t perfect, and at times, she was just plain wrong and unlikable.
She was never punished for her sexuality.
She was willing to use that sexuality if it got her what she wanted, but she was never a slave to it.
She was hard and even cruel to people around her on a daily basis, but she would fight for their job security and for their freedom to tell the truth in their articles.

As a girl who’d spent her life abused, manipulated and shamed into conforming, Lynda Day showed me that you didn’t have to make nice, you didn’t have to play by the rules, and you could carve your own path. And without Steven Moffat, she never would have existed.

I’m not saying that everything I’ve changed about my life and become since is owing to him. It’s not. It’s down to me. I did all that, myself, and I earned all the kudos. I’m not that scared, shamed, traumatised little girl any more because of a lot of reasons. But one of the first female characters I latched onto, that set my feet on the path to being something better, was Lynda. And I can’t wish for a world where she didn’t exist.

Ask me what kind of porn I’m into,
and I will take you on a magical journey to
fanfiction.com/harrypotter/nc17—

What turns me on
is Ginny Weasley in the Restricted Section with her skirt hiked up,
Sirius Black in a secret passageway
solemnly swearing he is up to no good,
and Draco Malfoy
in the Room of Requirement
Slytherin in to my Chamber of Secrets,

I am an unapologetic consumer of
all things Potterotica,
and the sexiest part
is not the way
Cho Chang rides that broomstick,
or the sound of Myrtle moaning,
the sexiest part
is knowing they are part of a bigger story,
that they exist beyond eight minutes in
“Titty Titty Gang Bang,”
that their kegels
are not the strongest thing about them,
and still,
I am told that my porn is unrealistic.

Not quite as erotic
as flashing ads that say “JUST TURNED 18!”
so you can fantasize about fucking
the youngest girl you won’t go to jail for;

I’m told that my porn isn’t quite as lifelike
as a room full of lesbians begging for cock,
told that this
is what is supposed to turn me on,

Don’t you give me raw meat
and tell me it is nourishment,
I know a slaughterhouse when I see one.

It looks like 24/7 live streaming
reminding me
that men are going to fuck me
whether I like it or not,
that there is one use for my mouth
and it is not speaking,
that a man is his most powerful
when he’s got a woman by the hair;

The first time a man I loved
held me by the wrists and called me a whore,
I did not think, “RUN.”
I thought, “This is just like the movies,”
I know a slaughterhouse when I see one.

It looks like websites and seminars
teaching you how to fuck more bitches;
Looks like 15-year-old boys
bullied for being virgins;
It looks like the man who did not flinch
when I said “Stop,”
and he heard, “try harder,”

If you play-act at butchery long enough
you grow used to
the sounds of the screaming.

It is just a side effect of industry;
Everything gets cut
into small, marketable pieces,
you can almost forget
they were ever real bodies.

I will not practice bloody hands.
I will not make-believe dissected women.
My sex cannot be packaged,
my sex is magic,
it is part of a bigger story;
I am whole.
I exist when you are not fucking me,
and I will not be cut into pieces
anymore.

pretty-period:

More girls should join boys’ teams so it could be a tradition and it wouldn’t be so special.” – 13-year-old Mo’Ne Davis, the 18th girl to play in the Little League World Series in its 68-year history, the FIRST girl to throw a Little League World Series SHUTOUT. Her fastball? 70 MILES PER HOUR. #throwlikeagirl #BlackGirlsROCK