Me: I posted a thing! A story! I wonder if I have any hits!
Me: Don’t look. It doesn’t matter. Your story stands alone on its own merits whether or not anyone else likes it. What matters is that you trust yourself and your work.
Me: I wonder if I got kudos. Did I get a kudo? Is that the singular of kudos? Did I get one, yet? No! I have zero kudos! No one loves me! I’m awful!
Me: It’s been five minutes. The story is ten thousand words long. Give people longer than five minutes to read a ten thousand word story. Give people longer than five minutes to see that there has even been a story posted. Some people are at work. Some are asleep. Some are watching Orange is the New Black and eating corn chips. It’s okay if you don’t immediately get a kudos. Which is its singular form, though kudo as the singular is also an acceptable back formation.
Me: Everybody hates me.
Me: Jesus Christ.
Me: I’m awful. I’m going to go hide under the dinner table.
Me: It’s been six minutes. You need to give this shit time.

berry-muffin:

“Bruce was trying to teach Thor to knit and-”

“Stop. There are not words to describe all the ways that that sentence is wrong. No. I can’t-” Tony pressed a hand to the muscle twitching beside his eye. “No.”

Steve ignored him. “Bruce was trying to teach Thor to knit, and they decided on a tea cozy he could give his mother-”

“Please stop. Please, Steve.”

“And it didn’t go all that well, it was a little lopsided and not mom-present worthy, so Bruce was trying to cheer him up and find something else they could use his work for, and they settled on a hat because it was already the right shape, but it was too small for any of us, even though Thor tried it on.” He paused. “You should be glad we didn’t publish THAT picture in the New York times.”

“So. Much. Pain,” Tony gritted out.

“So since Thor loves Calcifer the toaster like a pet, the hat got a pompom and was gifted upon the toaster.”

Four (Or Five) Reasons for Kidnapping Tony Stark by Scifigrl47 gives me much joy so I’ll probably draw a few more pieces for it. Calcifer’s hat is too big, I realise that, but he at least looks like a toaster so I count this as a win.

artingkrusca:

The sun from behind Tony catches around him like a halo of fire.

This time Tony cocks only a single eyebrow and Steve expects him to say something to the effect of ‘is that so’, or ‘what have you been smoking old man’ or a number of other things. But something odd and wonderful happens, Tony’s face goes soft and tender, a fleeting look of adoration in his eyes appears and then fades.

-The God Machine by Winterstar

for winterstar95 happy belated bday!!!! you write so many good stevetony fics i honestly had a hard time choosing… but then i remembered this fic (and this scene in particular) and it really stuck with me so yeah!! (i wish i couldve done like 2 more pages for this but unfortunately no time ;_; ) ps. everyone go read that fic bc apart from the amazing stevetony it also has a rarepairing of logan/steve (as in wolverine logan) and i did not expect to ship it as hard as i did hahahaha

Okay so imagine Bucky’s selectively (more or less) mute after Hydra, and even though his recovery’s going great, he still can’t speak and the first thing he saYS IS “I LOVE YOU STEVE” AND STEVE’S LIKE SJXJDHSKBFA

imaginesteverogerss:

They’re in bed together when it happens. Curled up around each other, ‘til Steve can’t tell where he ends and Bucky begins. 

On nights like this, it’s easy to pretend they’re back in Brooklyn, that it’s 1939 again. The war hasn’t come yet, Steve’s got his sketchbook stuffed under his pillow, and a couple times a night Bucky’ll roll over and mumble “Love you, Stevie,” into the crook of Steve’s neck. 

But then something’ll happen—Bucky’s metal arm will tense against Steve’s stomach, Steve will shiver against a chill that simply isn’t there—and he’ll remember all over again. This is Washington, D.C., 2015. The war is long gone, with a handful of others following to wash the taste of it out of the nation’s mouth. Steve hasn’t drawn anything in over seventy years, and Bucky, well, Bucky hasn’t spoken since—

The man in question sighs, shifts closer to Steve. “Love you, Stevie,” Bucky mumbles into the crook of Steve’s neck, then stiffens, seems to realize the enormity of what’s just happened. 

Steve wants to cry. He wants to laugh, scream, call up every single one of Bucky’s many therapists, call Sam and Nat. He wants to kiss Bucky, hot and possessive and passionate in a way their kisses haven’t been since the war. 

But he doesn’t do any of those things. Just whispers “I love you too, Buck,”  and smiles at how Bucky relaxes against him. 

I am curious about your tiny Steve mob boss fic. Anything you can tell us about it?

kaasknot:

lol, I have many things, but very few I’m certain about. I’ve been reading all the mob history novels so when I get to the outlining stage I’ll have something to sink my teeth into.

Things I know:

Bucky’s the numbers man. He can calculate odds in an eyeblink. Those who know him as Rogers’s shadow think he’s hired muscle, pretty but dumb; those who know him as a gambler and fixer, they’re entranced by his charm and his wit. When they learn his father goes to shul every Saturday they ask if he’s Kosher. He smiles a lopsided grin and says, “I’m a Yid, but I’m not their Yid.” He’s Arnold Rothstein without the ego.

Steve knows people. Steve owns people. You need something fenced? He can get you in contact with just the right person. For a fee, of course. You need someone murdered? Step this way. He keeps to the shadows; more often than not Bucky is the face of the organization, but Steve is the tactics, and he knows the streets of Brooklyn better than the men who built her. Guys who don’t know him will say, “Outta my way, kid, go on home back to mama,” and Steve will remember their faces, and he will remember their names. He has protection down to a fine art—and it’s not all rackets. You need to hide from the cops? Don’t matter who you are, Steve Rogers’ll help you out. He’s Lucky Luciano’s little brother.

It started when Bucky’sdad took a little bootlegging on the side to help pay bills. He owned a
grocery store; it wasn’t hard to hide a few cases of booze in with the
rest of the shipments. Then Prohibition ended, and it got a little more…
severe. He wasn’t running alcohol anymore, it was drugs and guns. Money’s still
money, though, and he takes out a loan to remodel the grocery, take it into
better days. Only, he gets caught in a shootout and killed in the crossfire. Bucky
didn’t know any of this, just that all of a sudden his dad’s dead and he owes
a lot of money to a lot of nasty people. Most of their money is tied up in the
grocery; they don’t have access to that kind of cash.

Enter Steve.
Steve’s feeling a bit reckless since his mom died, and Bucky’s scared for him,
to be perfectly honest. Well, one day Steve’s come by right when the goons from
the local boss do, and he gets all righteous when they threaten to put Bucky’s
hand through the deli counter meat slicer. Things escalate, until there’s a
knife, and Steve’s bleeding, and Bucky grabs the bat behind the counter and
just hits. Doesn’t let himself think until both those goons are dead on the
floor. He’s panicking, he knows he’s in shock, but he checks over Steve,
and—he’s fine, thank God, he’s fine. Still breathing, the stubborn pissant, and
Bucky sort of scoops him close, right there on the floor next to the mooks he killed and works through his
feelings until Steve starts squirming to get free.

“We gotta hide the bodies, Bucky,” he says,
flipping the OPEN sign over to CLOSED. And Bucky, He’s got a lot of bricks in
the back courtyard from when his dad bricked up the alley, and a few bolts of
leftover cloth from the awning. They sew the bodies up in canvas shrouds
weighed with bricks, and load them in the delivery van, and haul them to an
abandoned dock.

It grows from there. ”We gotta stay safe, Bucky,” Steve says in the shadows where no one can see or hear. “We gotta get to the top, where no one can touch us.”

By the time WWII comes around Steve owns half of Brooklyn, and almost all of the waterfront. Does Steve “The Captain” Rogers know about a German plot to infiltrate the docks? He might, Agent Ma’am. What are you gonna pay him to tell you?