liiiiiiiiiiiiiiiike. let’s talk about their reactions here? because i 100% believe in my filthy trash bin of a heart that this episode was the point of no return for parker and eliot both, the point at which they both realised holy shit i am in way over my head.
look at those reactions. like, it’s not simple relief, it’s relief and *total fucking whelm*. and neither eliot nor parker has–allowed themselves, maybe, the relative luxury of just thinking about what someone means to them. because it’s always been a liability. for eliot, caring too much about people would just be something that someone could use against him; for parker, it’s what archie’s cautioned her against a million times: we don’t get involved.
and worse for both of them, really, is that they’re not–not too caught up in a job, not too wrapped up in their own reputations or…or things that could be forgivable, really. things that they could realise and chide themselves for and then pull back from, do better. no, instead they’re both of them way overinvested in another person, in a person who could be hurt, who could be taken from them because they weren’t good enough or fast enough or–or just because sometimes you lose.
parker and eliot have always been aware of when they should cut their losses and get out. but this–this isn’t an acceptable loss. maybe neither of them can say the word love just yet, even to themselves, but this is where they realise it.
hardison doesn’t die, but he comes back to life anyhow, and when he does, the whole world changes.
#alec hardison#leverage#parker#eliot spencer#the grave danger job#leverage 4×07#my gifs#ugh i just have so many feelings about this episode#how it’s the tipping point for eliot and parker#but not for alec#because he’s known for ages#he’s known for ages that he was in this for better or for worse#and that maybe not everyone else was#and he’s ok with that#because he’s never going to ask people for more than they can give#because he figures that every day of this is a gift#even if they’re only ever teammates#even if they’re only ever friends#because he still gets to be there#and that’s what matters#alec marshmallow heart hardison#loving people they way they need to be loved#UGH FEELINGS
Sebastian Stan on the set of Avengers: Infinity War (x)
You cannot convince me that Eliot Spencer isn’t Bucky’s grandson.
😳
HEADCANNON ACCEPTED.
Look, I’m not saying that this is 100% the sort of fic that @copperbadge would write except that is exactly what I’m saying
HAPPY SATURDAY
Parker and Hardison knew Elliot had finally settled when he disappeared for a couple of days and returned with a carefully packed crate of herb plants in decorative pots and a small fireproof safe full of photographs.
Well, technically they knew he’d really settled when he unpacked the photographs and hung them up in the kitchen. (By this time Parker had already accidentally killed the paprika plant.)
“Who’s that?” she asked, sitting on the counter, watching Elliot carefully hang a photograph of a beautiful, dangerous-looking woman next to the refrigerator (far from the heat and splatters of the stove).
“Granny Peggy,” Elliot said, and gave no extra information, as if the name itself was sufficient.
“Your grandma?” Parker asked.
“Sorta how Hardison’s Nana is,” Elliot said.
“I hear my name?” Hardison yelled from the other room.
“Come look, Elliot’s Sharing Things,” Parker called. Hardison’s head popped into the kitchen.
“Like snacks?”
“Look, that’s his Granny Peggy,” Parker pointed.
Hardison stared at Elliot. “You are Peggy Carter’s grandson?” he asked.
“No! We just called her that. Also how the hell do you know who Peggy Carter is?” Elliot said, at the same time Parker squeaked, “I thought Peggy Carter was a myth!”
I NEED A WHOLE MULTICHAPTER FIC OF THEIR EMAIL CORRESPONDENCES
Elliot: Are you aware that when you email me, the profile picture that pops up is Kermit the Frog in a cowl?
Bucky: Who’s Kermit the Frog?
Elliot: How do I even explain this.
Shuri: HOLD MY COCA COLA
Then Shuri and Hardison make a Prezi of all the pop culture Bucky missed. Elliot makes Parker attend as well. There is a multiple-choice exam and also an essay portion. Parker wrote hers on “Why do we even have the hula hoop if we’re not allowed to use it to rob museums” and Bucky did his on “Video killed the radio star but podcasts will have their revenge.”
alright buckle up motherfuckers, i’m about to school y’all about this wonderful show called Leverage.
let’s start with the premise: they’re a bunch of criminals who come together to work as a team and to “pick up where the law leaves off.” aka: they do illegal shit to legally take out the bad guys, i.e. framing/ruining the reputation of/revealing actual law-breaking by embezzling rich politicians, dirty cops, corporations doing secret shit on the down-low, etc.
each episode is a different bad guy they need to take down for doing something terrible, and each episode they come up with a different scheme to take them out. the team consists of: the hacker, the hitter, the grifter, the thief, and the mastermind behind all their plots. they’re all thieves at one point or another, they all grift, and they all contribute to the plan, but these are their Roles. i’ll go more in-depth on the characters in a sec.
now, i know what you’re thinking already: “wow bruh this show must be edgy af, being about actual criminals doing super illegal shit???” bUT NO. THIS SHOW COULD HAVE BEEN SO DARK BASED ON THE CONCEPT, BUT IT’S LITERALLY THE NICEST, MOST ENJOYABLE SHOW EVER.
it’s also SERIOUSLY unproblematic????? like to unrealistic levels. like Nate’s alcoholism is treated with respect and not just something he “gets over,” but despite his issues, he’s held accountable for when he’s a dick, Parker is pretty clearly neurodivergent and she’s never!! forced to be anything else!!!! anyway i could go on and on.
so let’s meet the gang.
this is Nate Ford:
he’s the mastermind, he’s brilliant and the genius behind each of their convoluted plans. he’s a jerk sometimes, and grouchy, but he’s got good reason, and he NEVER crosses over into “angsty white man justifies his assholery because of his Issues.” he used to work for an insurance company tracking down criminals and thieves before A Thing happened and he became the Dad of a group of them. he makes bad life choices, so i relate. also his son died and he has a rad ex-wife and he struggles with alcoholism. we love him.
this is Sophie Devereaux:
she’s the grifter. she’s a great actress but only when she’s breaking the law it’s a running gag. she’s terrible on an actual stage l m a o. she’s the Mom of the group, and she and Nate are lowkey flirting the entire show. she tells it like it is, but is v compassionate. sassy af. british af. would probably console you about your husband leaving you before stealing your rare artifacts. high-class which shows in the fact that she was primarily an art thief before joining the team. i wouldn’t trust her with my jewelry, but i’d tell her all my secrets, and tbh that’s the best summary of her character that you’ll get.
this is Eliot Spencer:
hooooooooooo boy. where do i begin to describe Eliot Spencer? wel, for starters, he’s the “hitter” of the group aka he beats people up when they can’t sneak their way in or out of a place. or when things go wrong. he’s super fucking badass oh my god??? like i’m pretty sure there’s maybe only one or two times in the ENTIRE. SHOW. that he can’t win a fight?? he also has a Super Secret Dark Past bc he used to be a hitman for hire, which he regrets deeply and is happy to have changed bUT AGAIN!! IT’S NOT A WHITE MALE ANGST THING. he isn’t obsessed with attoning for his actions and his scenes aren’t eaten up with Angst and Melodrama. he also has anger issues, but again, it’s not the same stereotype that you’re used to. he controls it, and he never takes it on on anybody who doesn’t deserve it (aka the bad guys). he gets around with women but he’s not sexist?? he cares about his partners.
also he’s a hardcore chef and will Fite You about food. anyway Eliot is basically the Broody White Man With Dark Past trope turned on it’s head. he’s lovable and sarcastic and could kill a man but would prefer to make you an Omelette Du Fromage or some shit.
this is Alec Hardison, aka My Son:
this is my baby. he’s a nerd and a geek and I Would Die For Him. he’s basically everything that’s good and pure in the world. the epitome of a cinnamon roll. he’s sweet and gentle and wouldn’t hurt a fly–unless that fly is a corrupt ceo personally doing dirty business, in which case that motherfucker is going down with the help of his epic hacking skills. btw did i mention he’s the hacker? yeah. he’s super fucking smart and his sense of humor could rival the sahara desert in dryness. he always makes star trek references and he has a gr8 fashion style and he irritates Eliot to no end, lmao. #platoniclifepartners, tbh. did i mention he’s the sweetest person ever? no? he is.
this is Parker:
she’s the thief, and predictably, she loves money and expensive things. tbh she’d probably stab you faster than anybody else on the team would (and has) but also she is smol and needs to be protected. she’s a killer rabbit. she’s an oddball and in the beginning, most of the others don’t know what to make of her, but they grow used to her. she’s nd af, probably autistic, and Does Not Understand Socialization. same, Parker, same. guess what? she’s never forced into acting like somebody she’s not!! when she has to be the grifter for the con job and interact with people, she’s patiently coached by Sophie, who never belittles or mocks her, and explains it in ways she can understand. she’s weird and i love her.
did i mention how unproblematic this show is? i did? well too fucking bad because i’m gonna say it again: this show is so unproblematic. like what i already said with Nate’s addiction and Parker’s neurodivergence, but wAIT! THERE’S MORE.
Eliot hates guns–detests them–and won’t use them, he’s like constantly grabbing the mooks’ guns and unloading them and tossing them somewhere and it’s basically a huge trigger for him. and it’s always respected. also there’s scenes where like in the middle of a job Parker has to change into a costume and neither of men who are attracted to her–Eliot and Hardison–sneak a peak at her. they both look away during that shit and there is like, never any gross sexist jokes about it. or other things. i love it. also any romantic relationship that develops takes season of growth and shit. there’s nothing particularly Gay, but while heterosexual, it’s not Het.
the recurring antagonist is played by Mark Sheppard, a character called Sterling, who is basically a lawful good Crowley.
also one time they stole an entire country.
Leverage is fucking rad, and the concept is amazing and it coulda been so edgy and shit, but it’s literally so pure and sweet and friggin hilarious and about a bunch of people becoming a family and you need to watch it, my friend. now.
like immediately go google a page to watch it i’m not fucking kidding do it.
Jumping in to add that the writers of the show totally confirmed that Parker/Hardison/Eliot are a legit functioning poly triad after the show ended so you’re not reading into things. It’s canon.
I didn’t know my favorite OT3 was made canon OMG THIS JUST MADE MY DAY!!!!!
I fucking binged this show at the start of the year and now I want to go do it all over again, this show is the BEST.
So some friends of mine used to work downtown PDX, and they could NEVER get to their favourite food cart, because it was ALSO the favourite foodcart of the Leverage cast&crew.
As someone who’s still salty about whole “Hardison doesn’t tip” thing, I agree very much with this. I don’t think anything in the universe is 100% unproblematic, but Leverage is still a really great show for all of the above reasons. ^_^
[each image is a gif of the character described after it]
It ran for five seasons, and never felt like it had stayed past its welcome.
It’s dark in places and touches on a lot of serious themes, but overall brings you feelings of humor and triumph, and I wish there were more shows that had that balance.
Eliot on Hardison’s brew pub purchase for ronandhermy.
i want to be clear–this rant right here? is exactly why hardison bought a brew pub
because this, this is a familiar rant. hardison has heard it every time they are even so much as within 5 miles of a brew pub (and, ps, none of those brew pubs ever succeeded in designing a decent menu, per eliot)
when he first sees the listing in portland he cringes and clicks away fast because this is one of the rants it’s not even funny to goad eliot into because it happens SO MUCH and eliot doesn’t even get amusingly wound up, just earnestly offended/annoyed, and this is just the first tenth of the rant, okay? the rest of it involves complicated dissections of where brew pubs in general fail at menu design, and then move on to particular brew pubs who have offended eliot’s soul with the travesty of their menus
no way does hardison want to sign up for a daily dose of that rant, directed at his skills. except then he admits that it would take eliot about 2 minutes to take over the menu design, and this is the guy who can identify the sound of 28 different tire treads over 31 different types of surfaces, okay, he likes a challenge, and really it’s a gift to provide eliot with this opportunity
parker doesn’t look convinced when hardison tries out that explanation. “you sound sarcastic, he’s going to think you’re messing with him, not giving him something.”
and, okay, even in hardison’s head it comes off as sarcastic, as do the fifteen other ways he tries to practice giving eliot the brew pub. the problem is, hardison and eliot are only good at emotions with each other when shit is super tense and potentially-death-filled
hardison clicks away from the page again because it seems kind of hopeless, figuring it out, but then he thinks about eliot having an industrial kitchen to cook for them in, and a staff to order around, and a menu design he’s just secretly dorky enough about to brag about on brew pub posting boards and, well
maybe eliot will knowit’s for him from the get go, maybe he’ll figure it out along the way, or maybe it’ll never click for him, whatever. hardison isn’t concerned about the credit he just wants eliot to have it
I was thinking today about Leverage–as one does–and about the various grifting styles we see the team employ, and how most of them have a very particular grift strategy that they rarely stray from when they have to be the main one in the spotlight. And what I think is really interesting is how their strategies are often exact opposites.
Eliot’s syle of grifting is to flatten himself, to make himself seem simple. He plays nerds, ‘manipulate-able’ fighters, awkward librarians and accountants and basically people it’s easy to dismiss or to pigeonhole as one thing (whereas in reality he’s anything but that). In direct contrast, Sophie’s entire grift style plays up her mysteriousness. She draws people in because they want to know more about her, because she’s intriguing and fascinating and there’s the suggestion that if only the mark were worthy of her time and attention, she knows things they could only dream of.
Nate’s style is to be incredibly obnoxious. Which, let’s all congratulate him on playing to his strengths, first of all. But second of all, it’s a really interesting grift style, because basically it manipulates people by annoying them. While Sophie draws people in and directs their attention and clouds their judgement by making them want her around, Nate directs people’s attention and clouds their judgement by making them want him to leave. They’re both very effective at getting a person to do exactly what they want!
And while Eliot’s grift style almost always involves him pretending to be bad at something (physically harmless alien nerd, unsophisticated boxer who can’t people good, etc), Hardison’s grifts almost always involve him being an expert at something (Iceman, FBI agent, even conspiracy theorist) and using his expertise to gain access, authority, etc.
And then I was thinking about Parker and trying to pin down her style, and I realized that another reason why she was an excellent choice of leader is that she can kind of do them all. Every grift she does has that tinge of ‘weird’ to it, because that’s who she is, but she’s able to switch between strategies in a way that the others never really employ. She can be unassuming and underestimated (Alice, baby reporter), off-putting and upsetting (that pop star with the duck), an expert who comes in and takes over (FBI agent), or intriguing and enticing (that scene with the diamond necklace, you know the one, we all know the one, you whispered “oh no she’s hot” at the screen don’t lie). I wouldn’t say she’s the best grifter, that’s definitely Sophie, but she might be the most versatile one.
Basically Parker is the best, Leverage is the best, we all knew that, thank you for your time.
let’s all congratulate him on playing to his strengths
this is gorgeous
all this is really true but also the way Eliot gets people to underestimate and pigeonhole him is interesting
like he pours all of himself and all of his passion into whatever the role at hand says he is good at
and the reaction is usually like “okay he can’t possibly be all of that and ___” (whatever the mark needs to think he’s useless at)
like if you look at the way he played the part of “chef” in the french connection job
he’s not underplaying anything, that’s all the power of Eliot Spencer right there
he even does the thing with his eyes
but it’s so focused into “chef”ness that the mark dismisses him as anything else
“Which, let’s all congratulate him on playing to his strengths, first of all.”
Hello 911? I’d like to report a murder.
There’s a great…podcast? I think, where J Rogers talks about how Eliot goes for a social power position where he is the lesser power role in the situation…
knitting in the dark 