jabberwockypie:

wolvensnothere:

kalimayablack:

Announcing TOWER! The game of a Princess tired of waiting.

A retro-styled top-down fantasy adventure-story game. Scheduled for release 20 July 2014.

image

Starring a Princess taking control of her own destiny, and a magical cat with strong eyeliner game.

image

Based on an original idea by Rachael Roach, made with love and lots of swearing by Kali Black.

image

Things this game definitely includes:

  • flexibility for different play styles
  • trope subversion
  • feminism dragons
  • a level shaped like a butt
  • chainmail banana hammock
  • underdressed dudes
  • references to Zork, The Princess Bride, The X Files, and more
  • meme

Things this game definitely does not include:

  • metal bikinis
  • doomguys
  • damsels in distress
  • manpain
  • women in refrigerators

System requirements

Windows 2000 or better
1.0 GHz Intel Pentium III equivalent or better
256MB RAM
400MB available hard disk space

seriously this will run on just about any computer made in about the last 10 years no trouble

PREORDERS? YES PREORDERS!

20% discount for preorders (preorder price US$3.99, price at release $4.99).

No signup required. Secure payment processing via Stripe. Checkout and automated delivery via GetDPD.

PREORDER HERE

Note: please make sure that you provide a valid email address, as your download link will be sent to the email address you use during checkout.

Another note: If you use a script blocker, you only need to allow dpdcart.com

Final note: if for any reason the above link doesn’t work, it may have been updated, so try this page:http://kalimayablack.tumblr.com/tower

Hey. Can I be straightup with you, for a second? You want this game.

It is fun and it is funny and it is creepy and scary and trippy and wonderful and, again, fun.

You Want This Game.

Reblogging because this sounds AWESOME and I’ll buy it when I can afford to (after car stuff and all that).

The person who wrote up the list of things the game includes clearly knows how to get my attention!

trailofdesire:

wishful-thinkment:

justforthearticles:

lunalovegouda:

Those people who constantly reblog your stuff but you never really talk:

image

I do notice my regulars. You guys are the best.

“Regulars” makes me feel like a bar-tender…

Wiping down my dash at the end of an evening, I see your read-more, over-hear your rant in the tags, so I pour you a drink.

“…what’s troubling you, kid?”

It’s nine o’clock on a Saturday
As the regular crowd tumbls by
There’s an old fandom queen blogging next to me
And her little gray tags catch my eye

She says tumblr I’m feeling like shit today
can you send me some posts for a smile
can we talk about slash, can you fill up my dash
so I won’t have to think for a while

Laa dahdah didee dah
La dahdah didee dah dadum

Fill up my dash, you’re my followers
Fill it with pictures and fic
Yeah we’re all in the mood for some memery
And occasional pictures of dick

fieldbears:

potofsoup:

archeralli:

a weak and tortured bucky making sure steve gets to safety first

It’s because Bucky has a habit of letting Steve go first.

——-

1) Always let Steve go first up the stairs, so that you can keep an eye on him.  It’s easier to count Steve’s breaths and notice when Steve’s heart does that thing that makes him stop and shake.  Much easier to stop and pretend to tie your shoes while you wait, worried, than to realize 2 flights too late that Steve’s no longer with you. 

Later: Your limbs are sore and numb from being strapped to a table for 2 days and you’re pretty sure you haven’t eaten and the entire base might be exploding, but when Steve says “let’s go up,” you tell him to go first.

———-

2) Steve’s walk was mostly normal, though he swung his hips in a certain way to compensate for his scoliosis, and that put a special cadence to his stride that you unconsciously match. Even without Steve around you would twist your hip back before swinging your leg forward.  Twist, swing, twist, swing.

Later: Steve is leading the way through the forest, and you’re finally used to his height and broad shoulders and that dumb shield, but something still feels wrong.  Somehow your pace doesn’t quite match, and you can’t figure out why.

———-

3) Colors don’t work the same with Steve, so always describe unfamiliar objects by their shape and relative location, like that square window past the third door on the left, or the man wearing that unseasonably long coat standing in the corner by the garbage can.

Later: The boys are singing in the other room and you’re at the bar with Steve, trying very hard to get drunk because of course you’ll follow Steve into whatever but that doesn’t mean you have to do it sober.  “Steve,” you whisper, “Check out that lady by the door, next to that short thin guy who has his shirt open.”  Steve looks over.  “The one in the red dress?  That’s Miss Carter.”  You decide you need another drink.

———-

4) When walking down a narrow dark alleyway always stay on the right, because Steve’s bad ear makes the right side feel blind to him (though damn if Steve’d ever admit that).  On broad open streets, switch to Steve’s left side, so that Steve could hear you better through the noise.

Later: Dum-Dum gives you a weird look as you line up to charge into a Hydra base.  “Why won’t you take the left flank for a change?”  You start explaining Steve’s bad ear before you remember that he’s not that Steve any more, and that Captain America doesn’t have a bad ear.

———-

5) Stuff in your left pockets are for Steve: the asthma cigarettes that Steve could never afford, a dime for that popcorn that Steve likes, tickets for whatever shindig you’re trying to drag Steve along to. Sometimes you put things there for Steve and totally forget about it, like extra paper and a spare pencil in case Steve wants to doodle.  The left side always belongs to Steve.

Later: Steve is awfully quiet by the campfire.  You sit down by his good ear and reach into your left pocket.  “Hey,” you say, pulling out a news clipping about the war front that featured a lovely photo of Miss Carter.  “You read this yet?  They think Morita’s a Japanese defector, but the section on Dernier is priceless.”

———————-

Still later:

Report on the Winter Soldier reset procedures

After the latest test run, only the following anomalies remain:

A) The asset tends to hug the right walls and not the left, and hesitates for 30 microseconds before climbing stairs.  However, he does not hesitate when scaling walls or ladders.

B) When walking unopposed the asset has a characteristic and identifiable stride, which is dropped when he is making a covered approach.  

C) The asset communicates via relative locations, often omitting crucial color information.  However, he can be commanded to describe the colors of any object in impressive detail.

D) When dressing himself, the asset keeps his knives exclusively on his right side, and his left pockets are underutilized.  This may be an effect of continued unfamiliarity with the new left arm.

After extensive field testing, we have determined that these anomalies do not impede the asset from completing his missions, and declare the reset process complete.

—————————

[basically the textual partner to the colorblindness comic]

[The rest of my Captain America stuff]

This is perfect, and the thing I’ve been trying to think of how to write but so much better

msbeeinmybonnet:

Part I

WARNING: explicit discussion of suicidal behaviour and all that entails

Still with me? Excellent, I have so much more heartbreak in store for you.

We left off with Steve escaping SHIELD custody after yet another death-defying stunt. From this point on, I actually don’t have much to comment on for a while. Steve continues being stupidly brave but not more so than normal. He has a mission now, and a responsibility to see it through, so he doesn’t take as many reckless risks as he has before. He knows that if he fails, there isn’t anyone else to pick up the slack; if he falls, it’s game over.

For example, when the missile hits Zola’s computer brain, Steve acts much less recklessly. He finds a possible hiding place, pulls Natasha with him and shields them both. I honestly suspect that if Steve hadn’t felt like he had a purpose, he would be more concerned with Natasha being safe than himself, instead of the 50/50 kind of thing we get in the movie.

But let’s flashforward to another turning point: the reveal that the Winter Soldier is actually Bucky Barnes.

image
image

Oh man, I love that moment. It is perfectly shot and I have gushed about it before, especially about how the movie lets Steve be frozen with shock. Steve, who has fought tooth and nails to evade HYDRA capture, isn’t even present enough to get on his knees when ordered to by Rumlow. That is how shaken he is.

It was him. He looked right at me… He didn’t even know me.

And that is the moment Steve comes to his decision: the first priority is taking down SHIELD and HYDRA, because there is a quickly-approaching deadline on that. But the second that is taken care of, it’s Bucky. Only Bucky. He is going to save Bucky from HYDRA and won’t accept any other outcome. Failure through death is not an option, unless they die together.

But I’m getting ahead of myself again. Maria Hill is a BAMF and rescues the trio and takes them to the safehouse where they regroup and form a plan. And here is the next interesting thing. They are all preparing themselves for the final push, the hail mary, the now-or-never attack, and what does Steve do?

He thinks of Bucky.

image   image

He thinks of when Bucky promised him I’m with you til the end of the line, of Bucky offering to carry Steve on his shoulders. He doesn’t think of battle strategies, or of HYDRA, or even of the Winter Soldier. His world has narrowed down to Bucky, because when Steve decides on something, he gets the worst case of tunnel-vision known to man. He knows HYDRA must be stopped but it’s secondary to his quest to save Bucky; it’s only Steve’s sense of duty that keeps him from leaving HYDRA to the rest of the gang.

This marks a massive change. Earlier in the movie Steve recieved an external purpose; a responsibility was placed upon him which he felt he had to uphold out of duty. He is emotionally invested in it, of course, but it’s because of his ideals and beliefs and a little bit of hunger for revenge, as well as betrayal. Now that he knows Bucky is alive and held captive, he gets an internal purpose; no-one has told him that he has to save Bucky, it’s something he tells himself. He is beyond emotionally invested in this purpose, his entire everything is invested in rescuing Bucky. It’s like the difference between an important assignment at work and the novel you write in your free time. In the former case, you do it because you know you should and people depend on you to do it. In the latter, you do it only for yourself and pour your heart and soul into the endeavour.

This is very important to remember as I move onto the scene on the helicarrier. Lots of things happen in-between, of course, but I won’t cover them here. Actually, I will not even go into detail on the fight itself either, because I’ve done that before and I will just once again direct you all to marlowe-tops’ masterpiece on the subject. No, what I want to focus on is what happens after Steve inserts the chip.

image   image

The first mission is done. HYDRA has been stopped. With the replacement of that chip, 12 million people have been saved. Steve’s mission is over.

Now there is only Bucky.

Bucky, whom Steve dives down to save, heedless of his own injuries, because Bucky is in danger. He doesn’t have to keep himself alive to complete his mission anymore; he only has to stay alive for Bucky. Which might not be long, considering the helicarrier is nose-diving into the Potomac.

I have no doubt that Steve is certain that Bucky is somewhere inside the Winter Soldier, but he probably thinks he’s rapidly running out of time to reach him before it’s a moot point. So what does he do? He throws the first fight in his life.

image   image

Steve: You know me.

Winter Soldier: No, I don’t!

Steve: Bucky. You’ve known me your whole life.

Steve: Your name is James Buchanan Barnes.

Steve: I’m not gonna fight you. You’re my friend.

Winter Soldier: You’re my mission!

Steve: Then finish it. ‘Cause I’m with you til the end of the line.

image   image

Look at him. He rolls with the punches. He accepts them and doesn’t make any attempt at defending himself. He tears off his helmet and declares his refusal to fight. He drops his shield into the Potomac because he has no more use for it. Bucky doesn’t need Captain America, he probably never did; he needs Steve.

So it’s going to be Steve.

Even when the Winter Soldier gives Steve the worst beating since his pre-serum days, Steve doesn’t so much as shield himself. He is offering himself to the punishment.

Because that’s what it is. Punishment. Penance, even. It’s fitting, actually, that it’s Bucky himself who punishes Steve for letting him die. I don’t even think Steve is self-loathingly enjoying the pain; he simply sees it as perfectly fair that he gets to feel a fraction of the hell Bucky has been put through.

And if that means he’ll go down in flames with Bucky… Well. He’s with him til the end of the line.

image
image

Nothing will convince me that Steve wasn’t ready to die with Bucky in that moment. He didn’t even attempt to get either of them off the helicarrier; he let the Winter Soldier beat him black and blue while just lying down, because hurting Bucky is unthinkable. He only managed it before because at first he had no idea it was Bucky, and later he had to or innocents would die – and even then he pulled his punches. The look on Steve’s face during their previous fight is pure anguish because that is Bucky and he’s hurting him.

We also see an eerie kind of peace in Steve as he falls and later nearly drowns, and I don’t believe we can attribute all of it to Steve being halfway unconscious. Compare Steve’s fall to Bucky’s: Bucky was panicked, reaching out towards Steve and screaming, while Steve quietly falls with a limp body. The situations are different, yes, but usually you freak out at least a little bit when you suddenly find yourself falling.

But not Steve. Probably because he, again, sees it as fair. It has a nice kind of symmetry to it all, and as a movie buff, I’m sure Steve appreciates narrative parallels. (As to why he’s not screaming for Bucky who is still hanging on, my belief is that Steve can’t actually see him at that point and is assuming Bucky is falling as well.)

Then we have the beautifully shot underwater scene where the Winter Soldier saves Steve’s life. The last shot before the screen fades to black, when we see the metal arm reaching out to us, is a POV shot. This is very important to remember. It was Steve who saw the hand, not just us in the audience. This is subtly confirmed when Steve wakes up in the hospital bed, because he turns his head ever so slightly to the left, to the direction the Winter Soldier’s hand came from, the last thing he was aware of. He remembers being saved, and realizes the implications as he takes in the hospital room he lies in.

Which brings me to the end of the movie and, incidentally, my last point.

image

This scene marks the end of Steve’s personal arc during this movie. He turns down the offer of an external purpose – we’ve been data-mining HYDRA files, looks like a lot of rats didn’t go down with the ship – because he instead chooses his internal purpose – there’s something I’ve gotta do first. He no longer needs anyone to give him a purpose, because he’s found one himself.

At the start of this movie Steve was an isolated island, but now he’s found a bridge. It’s small and rickety and dangerous as all hell, but it leads to Bucky, and that makes it worth every risk. He’s also made friends that he feels he can trust, further anchoring him in this new world. It goes slowly, but he’s starting to build a new life here in this century. But most important of all, he feels he has a reason to live again.

Steve has a reason to live again, because it sure as hell isn’t going to be Captain America who rescues Bucky. It’s going to be that little guy from Brooklyn who was too dumb not to run away from a fight.

‘Cause I’m with you til the end of the line.

(gif sources: 1 piney49 & 2 brigantes & 3 kirknspock & 4 yourcannibalneighbour & 5-6 wintersoldir & 7-8 hiddlesy & 9 thenightshalllastforever & 10-13 brigantes & 14-15 maria-sokoli* & 16 yourcannibalneighbour)

*turns out they’re a plagiarism blog – please tell me if you know the original source!

septembriseur:

I want to bring some positivity into the world today, because I REALLY want to move away from all this awfulness, so let me talk for a little while about MCU!Pepper Potts.

Pepper Potts is a woman whom I have absolutely nothing in common with. She is tall, graceful, and effortlessly feminine; I am a petite punk girl with a lot of tattoos. She enjoys expensive high heels; I spend a lot of time wearing tactical boots. I’m not her, and I don’t aspire to be her, and in the face of women like Natasha Romanoff and Peggy Carter, who are more obviously admirable for someone like me, it’s easy for her to get overlooked.

But I love Pepper Potts. To me, what stands out about her is the way she negotiates a path between love and necessity. She is a character who consistently offers real kindness to those around her, regardless of their flaws, and also while having to overcome her own impatience: to Tony at his most unbearable, to Maya as Maya betrays her, to “Natalie” after the two of them have been put at odds, to Happy when he’s being ridiculous. You get the sense that what she wants to offer to the world, always, is this kindness.

And I don’t think that kindness ever really abates— but it doesn’t prevent her from doing what needs to be done, even when that’s unpleasant.

Read More

isaia:

rockuzan:

His name is Liui Aquino, a filipino cosplayer. And I think, by far, he’s the greatest Hiccup cosplayer I’ve seen.

That little girl is all of us.
We are her
She is us.
We are one.

Thanks Liui Aquino! Rockin’ the Filipino cosplay scene!

spacedyke:

turntechkhaleesi:

scoutprouvaire:

schrodingersnerd:

everythingisnightvale:

discontentramblings:

An asexual and pansexual become room-mates and have wacky adventures

The show is called ‘All or Nothing’

Plot twist: the asexual is really super outgoing and is a huge flirt while the pansexual is extremely socially awkward and has trouble ordering coffee let alone getting a date.

image

my hand slipped

will reblog until this becomes an actual show

Like this??

AND THEN IT GOT FUNDED