After work today, I ended up at Five Below with my friend Kay. We were looking around for a last minute Halloween costume for her and I happened to spot a Tarot deck…. A Tarot deck for $5.00! It is called Secrets Of Tarot by Amanda Hall. I know how popular my post about the $3.99 Tarot deck from Spirit Halloween was so I wanted to share this one as well. This deck comes with a full-color wire-bound guidebook and a 78 card deck. The cardstock is on the thin side but for the price, I do not mind it at all. The card images look digitally aged, the backs are beautiful and each card has a little phrase on the bottom. I think this Tarot kit is a fabulous deal for those who are looking for a deck on a budget, someone wanting to buy their first deck, a second or spare deck. A deck to gift to someone or a deck to use for artwork. This is also would make the perfect halloween/samhain gift.
If this post has helped you, or you know a friend who may gain help from this post, feel free to share the post, reblog it, or tag them. It would mean a lot to me.
If you would like to purchase this deck online, from the same in person shop I purchased mine, you can do so HERE.
Also funny tidbit… I think this was actually @static-chaos‘s first deck if I am not mistaken?
Post Notes: Please do not remove the captions. Deck: Secrets Of Tarot FTC: This post is not sponsored by Five Below. This Tarot deck was paid for by my own monies. This post does not include any affiliate links.
I just bought this deck based on this recommendation! QBD in Australia has this for $12.99AUD. (I got it essentially for free, because I used my loyalty card credit to buy it.)
Cure promises wholeness even as the world pokes and prods, reverberating beneath our skin, a broken world giving rise to broken selves.
All my life, I’ve rebelled against the endless assumptions that my body-mind is broken. I’ve resisted. I’ve ranted. I’ve turned my back on brokenness. Occasionally I’ve tried redefining wholeness to include that which is collapsed, crushed, or shattered. But mostly I’ve just flat-out refused brokenness and the perceptions of weakness, vulnerability, and tragedy that come with it.
I dream of a big pottery bowl painted in intricate patterns.
But however much I refuse and, in those refusals, tell an important truth, I have to say: I am also profoundly broken. My father and the cell of perpetrators to which he belonged shattered my body-mind. The violence they inflicted winds through me. I could quibble over words and call myself damaged. But the starker, blunter broken calls to me. It speaks of fragments and shards, an irrevocable fracturing. And fracture me they did, using sexual violence, physical violence, and mind control that I can only describe as torture. I won’t write the details or try to capture the terror and pain in words. But believe me: what they did broke my body-mind. It shaped every part of my life. This is not hyperbole, not a claim to perpetual victimhood nor a ploy for sympathy, but rather an enraging truth.
I turn the bowl in my hands, lose myself in its patterns.
Twenty years ago I walked through the world detached from body-mind and emotion, skittish, fearful of human touch, hearing voices and seeing shadows, plotting suicide. When it became clear that I had to deal with this damage or end up dead, all I wanted was to be cured.
The ideology of cure would have us believe that whole and broken are opposites and that the latter has no value.
I spent years in therapy and bodywork. I practiced self-care and built a support network. I found community. I dug into shame. I helped organize Take Back the Night marches, put together rape prevention trainings, wrote about child abuse. I never spoke directly about my desire for a cure, but really I felt desperate to fix my broken self, to emerge into a place where the twenty-four years of torture I experienced as a child and young adult simply no longer existed. I spent nearly a decade working hard at recovery—recovering lost years, memories, selves—before I knew that I’d never be cured.
Slowly, slowly the bowl reveals itself—
shattered and pieced back together.
My relationship to that violence is different now—my sense of self less fractured; my ability to stay in my body-mind and in the present, stronger. Yet I am nowhere near finished with its aftermath. Not long ago, paper skeletons hanging in the window of a local restaurant triggered an old memory of torture, catapulting me into a week-long dissociative fugue. Three summers ago, suicide gripped me hard, voices filling my head, seductive and terrifying. I didn’t leave the house for a month.
Those intricate patterns—a spider web of fractures, cracks, seams.
I’m grateful that triggers and hallucinations don’t grab me in their vice grip nearly as often as they used to. Even so, I know the past will again pound through my body-mind. The voices will again scream in my head, owning me, commanding me to kill myself, self-loathing carved into my synapses. I’ve come to know that there will be no cure. I claim brokenness to make this irrevocable shattering visible.
Splashes of sunlight filter through the cracks.
There will be no return to the moment before my father first grabbed my body-mind.
Cure dismisses resilience, survival, the spider web of fractures, cracks, and seams. Its promise holds power precisely because none of us want to be broken. But I’m curious: what might happen if we were to accept, claim, embrace our brokenness?
[Source: Eli Clare, Brilliant Imperfections: Grappling With Cure]
Broken.
I am broken.
These words pulse in my mind like the beating of my heart.
Broken body. Broken mind.
Broken sense of safety.
Violation.
I have been shattered like a bowl slipped through loose fingers crashing to the ground.
Six years ago, I was a pile of broken shards scattered at the feet of the men who had harmed me.
Slowly, through the help of other broken people, I have began to piece the shards back together.
My pieces no longer lay scattered.
I have pieced myself back together.
But the cracks still show.
I have not been made whole but rather am a jigsaw puzzle pieced together. Clear lines showing between the pieces.
The traumas of my past live on in me. The damage is still visible.
Broken.
I am broken.
Words that once carried shame and agony.
Now these words pulse with a different energy.
I am broken, yes. This is undeniable. Yet, in my brokenness, I have grown stronger. In my brokenness, I have found new purpose and meaning.
When the pieces of my shattered self came back together, they formed not what I was before, but something new.
There is no going back to who I was before, nor do I wish to do so.
I am better than I was, cracks and brokenness and all.
It is from that brokenness that I have crafted a self that I can be proud of.
“getting dressed, undressed, tying your shoes you can’t do that and my daughter can do that and she’s four! and i can’t even do that like ‘baby can you tie daddy’s shoes?’ and you can’t even do your zipper or anything.
you just feel pretty helpless.
and any room that had a round knob i’d get locked into it! because a lever i can like use my elbow to get it down but i’m like…get me out of this room!”
– jeremy renner on the hardest thing about living with two broken arms
Cheery’s station is an unholy terror of alchemical nightmares. She has bottles and tubes and there’s smoke and nobody knows exactly what is going on. Her food is usually good, if occasionally exploded.
Tiffany Aching is the young contestant that everyone expects to be slightly a mess and doing her best, what with exams and all. Instead she is terrifyingly efficient, extremely organized, with technical skills beyond her years.
Interestingly, she bonds with the oldest contestant, one Ms. Weatherwax, who gets into staring contests with the judges. The judges blink first. They try her dishes, and say they taste like, “nostalgia” and “peace” and “that feeling of doing a job well, but not to the best of your ability, with an undercurrent of guilt when someone congratulates you.” They never seem to mention actual flavors.
Nanny Ogg’s food tastes like apples, she swears. Mary Berry REALLY likes Nanny Ogg.
Susan the schoolteacher seems like a perfectly sensible, rational young lady- and yet every single one of her showstoppers seems to exist in at least two extra dimensions. Her black forest gateau sculpted to look like her grandpa’s garden is so weird that the judges can’t even look at it properly, but it tastes delicious.
Death wins. Death always wins. “YES. MY SPONGE IS PERFECT. IT’S TRUE.”
I went to [Tolkien’s] public lectures. They were absolutely appalling. In those days a lecturer could be paid for his entire course even if he lost his audience, provided he turned up for the first lecture. I think that Tolkien made quite a cynical effort to get rid of us so he could go home and finish writing Lord of the Rings.
“He gave his lectures in a very, very small room and didn’t address us, his audience, at all. In fact he looked the other way, with his face almost squashed up against the blackboard. He spoke in a mutter. His mind was on finishing Lord of the Rings, and he was really musing to himself about the nature of narrative. But I found this so fascinating that I came back week after week, as did one other person. I’ve always wondered what became of him, because he was obviously equally fascinated. And because we stuck there, Tolkien couldn’t go away and write Lord of the Rings! He would say the most marvelous things about the way you take a very basic plot and twitch it here and twitch it there—and it becomes a completely different plot.”